Chihuly Short Cuts III

Bas Jan Ader rides his bike into a canal in Amsterdam.

This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.

In the late 1960s, with the triumph of bilingualism and biculturalism, New Brunswick's Université de Moncton became the setting for the awakening of Acadian nationalism after centuries of defeatism and resignation. Although 40% of the province's population spoke French, they had been unable to make their voices heard. The movement started with students-sit-ins, demonstrations against Parliament, run-ins with the police - and soon spread to a majority of Acadians. The film captures the behind-the-scenes action and the students' determination to bring about change. An invaluable document of the rebirth of a people.

An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.

Morgan Spurlock (Super Size Me) tours the Middle East to discuss the war on terror with Arabic people.

Up until the end of her life, Beatrice Wood continued to influence younger artists with her definitive, free-wheeling ways. She was central to the American Dada movement and was the last surviving member of this group. In this program she recalls her friends Man Ray, Picabia and others, and her ex-husband Marcel Duchamp. She died in 1999 at 105 years of age.

A 1970s American elementary school program encouraging students to figure out for themselves the universal building blocks of human community — family, work, faith, etc. — inflamed political sensitivities so intensely it was shelved and forgotten. Archive footage of the documentary film series at the program's core, classroom exchanges, and the ensuing controversy frames larger issues of education, politics and ideology.

The New Wave is the seminal compendium of independent video work in the early 1970s. Written and narrated by Brian O'Doherty, this overview of the emerging video field includes examples of guerrilla television and "street" documentaries, early explorations with image-processing and synthesis, and performance video. This historical anthology includes excerpts of tapes by the following video pioneers: Stephen Beck and Warner Jepson, Peter Campus, Douglas Davis, Ed Emshwiller, Bill Etra, Frank Gillette, Don Hallock, Joan Jonas, Richard Serra, Paul Kos, Nam June Paik, Otto Piene, Willard Rosenquist, Dan Sandin, James Seawright, Steina Vasulka, TVTV, Stan Vanderbeek and William Wegman.

Stuart Cooper's short about the work of Spanish artist Juan Genovés is an inspired introduction to the works of this extraordinary artist, exploring its minimalist aesthetic and storytelling qualities through a variety of cinematic techniques, including rostrum, animation, news footage and live action recreations.