Habambuhay: Remembering Philippine Cinema

Film: American Beginnings of Philippine Cinema is the second episode in Deocampo's evolving saga of the country's history of Philippine cinema. Based on his recent book, Film: American Influences on Philippine Cinema, this 3D-animated documentary ventures from Escolta through Avenida as we discover how film came to be in the Philippines.

Six individuals from different generations recall the golden age of Cebuano cinema, modern Cebuano cinema, their experiences, and discuss their aspirations about the future of Cebu’s film scene.

A young boy's innocence is slowly deprived by digital overstimulation and the War on Drugs. Surrounded by a world of vices, his future becomes uncertain when he learns the truth about the people around him.

A dramedy that takes place entirely within the walls of a grocery store. The story revolves around six individuals, a diverse group of employees and customers, who find themselves unexpectedly trapped due to a severe storm.

Inspired by true events, a gifted yet rebellious high school student transfers from a prestigious academy to a notorious "cursed section" in a public school. There, he befriends a group of misfits known as "The Boys at the Back" and embarks on a mission to help them graduate, showcasing the transformative power of unity and friendship.

A self-centered influencer on his way to a gig finds himself babysitting a lost, loud-mouthed, 9-year-old girl who snuck into his van to find her way back home.

In this heartwarming ensemble comedy, Mary’s adoptive gay mother’s last dying wish was to reunite their all-queer volleyball team. Even with the challenges that she is faced with, including her own personal affairs, and financial troubles, Mary tries to fulfil the wish. She must convince her disjointed chosen family to join the one day volleyball league, with hopes of winning the cash grand prize to pay for a proper funeral for Mary’s mother.

In this 23-minute documentary interview clips from the album's entire recording lineup — Brian Johnson, Angus Young, Malcolm Young, Cliff Williams and Phil Rudd — collectively recall the crossroads the band was at following the tragic death of Bon Scott in February of 1980. Brian Johnson was officially named the new singer of AC/DC on April 1, 1980 and the group quickly got to work with returning producer Mutt Lange, who was at the helm of the group's previous record, Highway to Hell. Ultimately, Back in Black was a tribute to AC/DC's late singer, with the black album cover serving as a memorial.

Interview without filters, Paul Arcand questions the 76-year-old performer on the sidelines of the release of her autobiography "Ginette" and her most recent album, "C'est tout moi".

A detailed look at the Doolittle Raid, and the final official public reunion of the surviving Raiders.

Despite the increasing number of people entering the field of documentary filmmaking, historical subjects are less popular due to limited materials and the difficulty in handling them. Hu Jie has chosen to stay in this field and work hard. "I know that shooting these historical subjects is very dangerous, so how can you ask others to do it? It can only be their choice after they have seen your work." Since 2014, due to health reasons, Hu Jie has not been actively making documentaries. This year, in response to an invitation from the Lung Ying-tai Cultural Foundation, he still provided the film "A Sidelight of the 1968 Up to the Mountains and Down to the Countryside Movement." Over the past three years, he has primarily engaged in printmaking, producing about 70 to 80 pieces, in addition to many small print bookplates.