The Love Piker

The last of the four "Five Little Peppers" films finds the children having a hard time adjusting to their new boarding school.

Wealthy socialite Charlotte Cartwright and her dear friend Alice Pratt, a working class woman of high ideals, have enjoyed a lasting friendship throughout several decades. Recently, their lives have become mired in turmoil as their adult children’s extramarital affairs, unethical business practices, and a dark secret threaten to derail family fortunes and unravel the lives of all involved. Charlotte and Alice decide to take a breather from it all by making a cross-country road trip in which they rediscover themselves and possibly find a way to save their families from ruin.

When he loses both his wife and child, Montgomery Rogers adopts his servants' little girl and raises her as his own. Completely unaware of her origins, Emerie grows up to be a first class snob. Her socially ambitious aunt takes her to Europe to become engaged to Brooks Fitzroy, an impoverished lord (Cyril Chadwick). On the voyage back she encounters a young man, Dick Clarke who is working for his passage.

An unwed mother watches as her illegitimate son is raised by others. Director Lambert Hillyer's 1934 drama stars Jean Arthur, Richard Cromwell, Donald Cook, Anita Louise, Jane Darwell, Mary Forbes and Ward Bond.

George Bryan Brummel, a British military officer, loves Lady Margery, the betrothed of Lord Alvanley. Despite her own desperate love for Brummel, she submits to family pressure and marries Lord Alvanley. Brummel, broken-hearted, embarks upon a life of revelry.

John Kirby is in desperate financial straits so when his wife Margaret refuses his request to help him obtain a loan from her guest, Gordon Pell, he attempts suicide and failing that becomes seriously ill. Margaret grudgingly takes in boarders mixing with people outside her social set. As her resentment grows Lucille, John's former flame, forges telegrams to drive a wedge further between them, but Gordon steps in the clear the air and the pair work through their difficulties.

PEG O MY HEART (Metro Studios, 1922), directed by King Vidor, under the supervision of J. Hartley Manners, introduces the legendary theatrical actress Laurette Taylor (1884-1946) to the screen reprising the role she made famous as a poor Irish farm girl who inherits a fortune but would rather have happiness instead. While a bit too old for the character supposedly in her late teens or early twenties, Laurette was tailor made for it.

Dowdy housewife Kitty dotes on her self-centered husband but divorces him when his mistress shows up at their home one day to break up their marriage. Bob had become bored with her lackluster appearance, their children and himself. Kitty re-invents herself and becomes a Continental favorite, dressing like a fashion model and behaving gaily. Three years after their divorce, Bob is at the home of a wealthy matron romancing her soon-to-be-married granddaughter, when the matron invites Kitty to a weekend party to steal Bob away from the granddaughter. When Kitty and Bob see each other, neither lets on they have a past, and the party continues as Bob pursues his ex-wife and new conquest equally.

A hep teen hears a tune on the jukebox at the malt shop and calls his girl; She rounds up a crowd and soon the whole place is jumping.

An uptight professional meets his lower-class biological parents for the first time.