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For those of us old enough to remember the heyday of Spike & Mike’s Festival of Animation, the new documentary “Animation Outlaws” (from first-time director Kat Alioshin) provides a welcome walk down memory lane. The film is an affectionate tribute to Craig “Spike” Decker and Mike Gribble, two legends who changed the world of animation by not only launching the careers of some of the most talented and well-known artists working today, but were the first to give them a platform to screen and distribute their work to a wide audience. The documentary features an impressive roster of artists telling their stories, recalling memories of Spike and Mike that are told through a series of talking head interviews and archival footage that fans will adore. The film is interspersed with original animation as well as clips from Spike & Mike classics (like “Bambi Mets Godzilla,” “Happy Tree Friends,” “Frog Baseball,” “Lupo the Butcher”, and “North of Blue”) that will leave many smiling with nostalgic recognition. It’s inspiring to hear experimental artists discuss how this one-of-a-kind duo not only helped change the world of indie animation, but created a true sense of community for outsider artists and fans by building a place where misfits could finally feel like they belonged. Spike and Mike’s festivals were so popular because they knew what their crowds wanted and gave it to them. They took a chance on little filmmakers and cutting edge films that, while sometimes in poor taste and certainly not all displaying awards-worthy craftsmanship, were still worth seeing. These men were huge supporters of the arts and visionaries in their own right, spending their lives celebrating animation as an art form. The documentary explores the modest beginnings as these men created a niche market that’s still beloved the world over and is often seen as the greatest underground animation festival of all time. From their genius guerilla marketing techniques to video footage of the raucous live events, it’s easy to see why Spike and Mike have earned worldwide respect from the underground animation community. The birth of YouTube has proven to be both a blessing and a curse for creative types. On one hand, the digital generation has made it easier for artists to create and freely distribute their work and on the other, it’s hammered the final nail in the coffin of big screen festivals for animated shorts. That’s what makes “Animation Outlaws” so bittersweet: it’s almost as if the film documents the end of an era. There are always new animation techniques to admire, unique voices to discover, and creativity that will continue to be inspired by many of the classic rough-around-the-edges cartoons of Spike & Mike festivals past. While this film may not be perfectly polished, it is made for the diehard fans: members of the geek community who will forever be indebted to these original rebels of independent animation.
An animated documentary that follows the lives of the over-qualified young staff of a local bowling alley.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
Fighting for visibility and solidarity, Lady Galore has become vital to the European drag community. For Sander den Baas, the man behind Lady Galore, this devotion is starting to take its toll. Although his size is what makes Lady Galore stand out and brought her fame, Sander is struggling with more and more health problems. Gastric bypass surgery will help him regain a healthy weight. But what will remain of Lady Galore?
At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.
Going into my interview with Laurel Greenfield, I thought the majority of our conversation would be about her inspiration for painting food and why she chose to pursue painting as a career. We spoke about that but ended up having a much bigger conversation about pursuing a creative career. We talked a lot about finding the balance between having a business plan and taking a leap of faith into the unknown, something anyone pursuing a creative field on their own can relate to.
A documentary focused on Melbourne's music scene around the year 2006. Features bands such as HTRK, The Stabs, Cosmic Psychos, Rod Cooper, and Love of Diagrams.
The documentary BERLINIZED describes this very Berlin-specific attitude in a reflection on and a journey to mid-1990s' Berlin. Filmmaker Lucian Busse, an active protagonist of the period, documents the transformation of Berlin after the Wall. But Berlinized represents more than just the 1990s - it is a metaphor for this virally catching creative feeling, the slightly rough directness, spiced up with a big dash of typical Berlin humor. Berlinized lets the former protagonists reflect how that temporary feeling of freedom shaped their individual lives, and to what degree that freedom can still be found among the neat order of today's Berlin. These reflections are as diverse as the interviewees and as multifaceted as the changes in those times.
"plant portals: breath" is an experimental meditation on the unspoken history many queer and trans people of colour carry daily, connecting bumblebees, colonial trauma, alternate universes and the complicated concept of "rest" to ask: Can nature heal us? Shot entirely on an iPhone, the film is intentional in imagining what is possible, and manifests a reality rooted in mindfulness.“
A video about Neo-Nazis originating in Sweden provides the starting point of an investigation of extremists' networks in Europe, Russia, and North America. Their propaganda is a message of hatred, war, and segregation.
