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The One Show - (Mar 29th)
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For those of us old enough to remember the heyday of Spike & Mike’s Festival of Animation, the new documentary “Animation Outlaws” (from first-time director Kat Alioshin) provides a welcome walk down memory lane. The film is an affectionate tribute to Craig “Spike” Decker and Mike Gribble, two legends who changed the world of animation by not only launching the careers of some of the most talented and well-known artists working today, but were the first to give them a platform to screen and distribute their work to a wide audience. The documentary features an impressive roster of artists telling their stories, recalling memories of Spike and Mike that are told through a series of talking head interviews and archival footage that fans will adore. The film is interspersed with original animation as well as clips from Spike & Mike classics (like “Bambi Mets Godzilla,” “Happy Tree Friends,” “Frog Baseball,” “Lupo the Butcher”, and “North of Blue”) that will leave many smiling with nostalgic recognition. It’s inspiring to hear experimental artists discuss how this one-of-a-kind duo not only helped change the world of indie animation, but created a true sense of community for outsider artists and fans by building a place where misfits could finally feel like they belonged. Spike and Mike’s festivals were so popular because they knew what their crowds wanted and gave it to them. They took a chance on little filmmakers and cutting edge films that, while sometimes in poor taste and certainly not all displaying awards-worthy craftsmanship, were still worth seeing. These men were huge supporters of the arts and visionaries in their own right, spending their lives celebrating animation as an art form. The documentary explores the modest beginnings as these men created a niche market that’s still beloved the world over and is often seen as the greatest underground animation festival of all time. From their genius guerilla marketing techniques to video footage of the raucous live events, it’s easy to see why Spike and Mike have earned worldwide respect from the underground animation community. The birth of YouTube has proven to be both a blessing and a curse for creative types. On one hand, the digital generation has made it easier for artists to create and freely distribute their work and on the other, it’s hammered the final nail in the coffin of big screen festivals for animated shorts. That’s what makes “Animation Outlaws” so bittersweet: it’s almost as if the film documents the end of an era. There are always new animation techniques to admire, unique voices to discover, and creativity that will continue to be inspired by many of the classic rough-around-the-edges cartoons of Spike & Mike festivals past. While this film may not be perfectly polished, it is made for the diehard fans: members of the geek community who will forever be indebted to these original rebels of independent animation.
Do you ever wonder why you are the way you are? One day I decided to ask myself this question and I have been struggling to put the answer together ever since. “Enough of Myself” is my visualization of this process. When I finally had the headspace to consider my own emotions, it turned out to be a lot harder than I had thought. When you start to examine your own thoughts and patterns, the digging doesn’t stop. You keep digging deeper and finding new connections that you might have preferred stay hidden. But to ignore these things is to give in to them. Growth requires a certain level of vulnerability, not just towards others but towards yourself as well. To grow beyond those negative patterns, you need to look them in the eye first. In my film I tried to capture this emotional process in an array of animations. I hope that I haven’t just captured my own emotional process, but some deeper universal emotions as well.
This is the first generation of Russian youth to have grown up after the fall of the Soviet Union, and are looking inwards to the Eastern Bloc for inspiration, rather than the wider Western world. With designers like Gosha Rubchinskiy popularising post-Soviet style around the world, we discover what effect the former Soviet Union has had on modern creativity, the impact of this cultural explosion on the rest of the world, and what it is to be young in Russia today.
The tragic death of a polar bear triggers the end of the Buenos Aires Zoo. A superhero lover lawyer asks a court to declare the orangutan Sandra a Non-Human Person and revolutionizes the planet. A very Argentine story, full of passions, embarrassing missteps and memorable characters.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.
A documentary focused on Melbourne's music scene around the year 2006. Features bands such as HTRK, The Stabs, Cosmic Psychos, Rod Cooper, and Love of Diagrams.
This Traveltalk series short showcases the Mexico City police department's various units as they participate in a yearly festival. Included are a marching band, a parade of patrol cars, the motorcycle unit, equestrian unit, and the department's pistol team.
A visually stunning narrative documentary, NAKED GARDENS immerses audiences in the complex, unseen world of a family nudist resort in the Florida Everglades. Filmed over one season at this lush tropical campsite, the film follows the stories of individuals drawn to an unusual community, which promises both non-conformist values and, more importantly for some, a cheap place to live. As aging owner Morley and his residents prepare for the largest gathering of nudists in the US, the Mid-Winter Naturist Festival, they are faced with challenges both as a community and as individuals.
At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.
The story of how Aurora Mardiganian (1901-94), a survivor of the Armenian genocide perpetrated by the Ottoman Empire (1915-17), became a Hollywood silent film star.