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Katy Tur Reports - (Jan 29th)
Four in a Bed - (Jan 29th)
The Real Manhunter - (Jan 29th)
Come Dine With Me- South Africa - (Jan 29th)
Andrea Mitchell Reports - (Jan 29th)
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The Bidding Room - (Jan 29th)
Richard Osmans House of Games - (Jan 29th)
Tyler Perrys The Oval - (Jan 29th)
The Tucker Carlson Show - (Jan 29th)
Homes Under the Hammer - (Jan 29th)
Perfect Match - (Jan 29th)
Wild Cards - (Jan 29th)
Allegiance - (Jan 29th)
Family Feud Canada - (Jan 29th)
The Kelly Clarkson Show - (Jan 29th)
After Midnight - (Jan 29th)
Ishura - (Jan 29th)
Hard Quiz - (Jan 29th)
The Chase Australia - (Jan 29th)
In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.
A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.
The lives of Ted and Marion Cole are thrown into disarray when their two adolescent sons die in a car wreck. Marion withdraws from Ted and Ruth, the couple's daughter. Ted, a well-known writer, hires as his assistant a student named Eddie, who looks oddly similar to one of the Coles' dead sons. The couple separate, and Marion begins an affair with Eddie, while Ted has a dalliance with his neighbor Evelyn.
During a writing slump, playwright J.M. Barrie meets a widow and her four children, all young boys—who soon become an important part of Barrie’s life and the inspiration that lead him to create his masterpiece. Peter Pan.
As his parent’s marriage disintegrates, Patrick is dragged along to a Saturday morning garage sale by his father, Wayne. The hidden conflict between his parents can’t be avoided when a concerned neighbour enquires after Patrick’s mum, causing tension between father and son. Only then does Patrick seek refuge from his father’s manipulations.
When a beautiful first-grade teacher arrives at a prep school, she soon attracts the attention of an ambitious teenager named Max, who quickly falls in love with her. Max turns to the father of two of his schoolmates for advice on how to woo the teacher. However, the situation soon gets complicated when Max's new friend becomes involved with her, setting the two pals against one another in a war for her attention.
Nine young actors leave behind their daily lives in Berlin and travel to the country to audition for a summer theatre production to be performed in the ruins of an old church. A once-renowned Swiss director is using this week of rehearsals to find the lead for this production of “Hamlet”. The director is staying privately at the home of an old woman, but the actors are being put up at a run-down hotel with very thin walls.
An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
As children in the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After their father dies unexpectedly, however, the siblings end up in a joyless home when their mother, Emilie, marries a stern bishop. The bleak situation gradually grows worse as the bishop becomes more controlling, but dedicated relatives make a valiant attempt to aid Emilie, Fanny and Alexander.
Jan Decorte's second feature film is an adaptation of the play Hedda Gabler by Norwegian playwright Henrik Ibsen. Decorte moved the locus of action of Ibsen's realistic play from 1890 to 1950, twenty-eight years earlier than when the film was shot. The story begins when Hedda returns home from an overly long honeymoon with her newly wed but colourless husband Tesman. She is pregnant and will be courted by the writer Eljert Lövbor, an old lover who is about to break through with an exceptional novel of autobiographical quality [Avila].