Bombe su Auschwitz?

An American spy behind the lines during WWII serves as a Nazi propagandist, a role he cannot escape in his future life as he can never reveal his real role in the war.

A German Jewish industrialist is forced to hand over his business to the Nazis in order to ensure his family's safe passage out of Germany.

On Dec. 5, 1944, American soldiers, led by Harry Stuts, put their guns down for one day and organized a party celebrating the town's centuries-old Saint Nick tradition. Soldiers made hot chocolate from their D-rations, company cooks made donuts and cookies for the children, and 22-year-old corporal Richard Brookins from Rochester, NY played the role of Saint Nick. An emotional and heartfelt story, THE AMERICAN SAINT NICK illustrates how American soldiers and residents of the hamlet were able to bond over a moment in time, creating a tradition that continues to this day.

Drawing upon eye-witness accounts from survivors and participants in the bombing of Hiroshima, this programme shows how both Japan and the United States are still facing enormous problems in coming to terms with the legacy of that fateful August day.

Scholars and eyewitnesses provide a picture of the 75 hours between the atomic bombings of Hiroshima and Nagasaki and document the contradictions, interrelationships, and ambiguities of politics and military strategy in time of war.

The Chomsky–Foucault debate was a debate about human nature, between Noam Chomsky and Michel Foucault in the Netherlands, in November 1971. Chomsky and Foucault were invited by the Dutch philosopher Fons Elders to discuss an age-old question: "is there such a thing as 'innate' human nature independent of our experiences and external influences?"

Oscar winning postwar propaganda film in support of the United Nations Relief and Rehabilitation Administration. Strident but poignant, focusing on children. The film surveys the Nazi/Japanese atrocities, post-war devastation and the early relief efforts. This film was responsible for raising over $200,000,000, making it a top moneymaking film. Preserved by the Academy Film Archive in 2005.

The new film from Sergei Loznitsa (Maidan, The Event) is a stark yet rich and complex portrait of tourists visiting the grounds of former Nazi extermination camps, and a sometimes sardonic study of the relationship (or the clash) between contemporary culture and the sanctity of the site.

World War II, June 1940. France has fallen and suffers the relentless boot of Nazi Germany. But Algeria, the prized French colony in North Africa, remains part of the territory controlled by the Vichy regime of Marshal Pétain. A strict colonial order is maintained: the French of European origin rule, while local Jews are stripped of French citizenship and discrimination against the mainly Muslim population increases.

A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.