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Mysteries Unearthed with Danny Trejo - (Jan 18th)
The Chase - (Jan 18th)
The UnBelievable with Dan Aykroyd - (Jan 18th)
The Way Home - (Jan 18th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
Wow, but this is all over the place. Based very loosely on the Dickens' character from his "A Christmas Carol" story, Will Ferrell is the Ghost of Christmas Present who now works for "Jacob Marley" (Patrick Page) trying to save irredeemable souls from purgatory. This is where Ryan Reynolds comes in. He is "Clint" - a successful influencer who is about as ruthless for his clients as it possible to be. "Present" concludes that if he can save him, then he can make a real difference to the future (despite the fact that he appears, already, to have rescued Dolly Parton!). Anyway, this is where the story gets a little more interesting. Rather than cowering in fear at his apparitions, "Clint" decides to turn the tables a bit and before we know it, he is challenging his protagonist to justify what he is doing and why. Unfortunately, though - and despite the presence of the usually reliable Octavia Spencer - the whole thing just peters out all too quickly with some predictably slapstick humour and a few rather dull piano/guitar ballads from an out-of-sorts Messrs. Pasek and Paul that have some potent lyrics now and again, but those are largely overwhelmed by the fact that Reynolds cannot sing and Ferrell fares only slightly better on that front too. It also has no idea how to end, so it has three or four goes by which time I was a bit bored by it all. It's been quite a while since I noticed people leaving a cinema screening, but quite a few abandoned this. Nothing beats the Albert Finney/Leslie Bricusse "Scrooge" (1970) for me, and though this iteration of the timeless story might work better on stage - much of it is very theatrically stylised in nature (especially the dance numbers) - I am just going to stick with that.
MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2022-edition/ "Spirited efficiently applies a Christmas formula. Harnessing the undeniable, palpable chemistry between Ryan Reynolds and Will Ferrell, along with original holiday tunes filled with the typical humor from the actors, Sean Anders delivers a musical entertaining enough to entertain the average spectator. Not all the songs succeed, nor their timing in the story is always the right one, and the generic narrative doesn't exactly help with the surprise factor. Still, I'm happy enough with the essential message that people can, in fact, change for the better." Rating: B-
When a family visits Grandma's house on Christmas Eve, they leave their dog at home alone. And when burglars try to take the presents from under the tree, the dog must use every trick it knows to stop them.
A film director, in bad standing with his studio, tries to turn a local carnival dancer into a "French" movie star and pass her off as his big new discovery.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr in their electrifying element, 'A Hard Day's Night' is a wildly irreverent journey through this pastiche of a day in the life of The Beatles during 1964. The band have to use all their guile and wit to avoid the pursuing fans and press to reach their scheduled television performance, in spite of Paul's troublemaking grandfather and Ringo's arrest.
Miss Marple believes she's seen a murder in a passing-by train, yet when the police find no evidence she decides to investigate it on her own.
Miss Marple and Mr. Stringer are witnesses to the death by heart attack of elderly, rich Mr. Enderby. Yet they have their doubts about what happened. The police don't believe them, thus leading Miss Marple to yet again investigate by herself.
A murderer is brought to court and only Miss Marple is unconvinced of his innocence. Once again she begins her own investigation.
Lorelei Lee is a beautiful showgirl engaged to be married to the wealthy Gus Esmond, much to the disapproval of Gus' rich father, Esmond Sr., who thinks that Lorelei is just after his money. When Lorelei goes on a cruise accompanied only by her best friend, Dorothy Shaw, Esmond Sr. hires Ernie Malone, a private detective, to follow her and report any questionable behavior that would disqualify her from the marriage.
Low-level bureaucrat Sam Lowry escapes the monotony of his day-to-day life through a recurring daydream of himself as a virtuous hero saving a beautiful damsel. Investigating a case that led to the wrongful arrest and eventual death of an innocent man instead of wanted terrorist Harry Tuttle, he meets the woman from his daydream, and in trying to help her gets caught in a web of mistaken identities, mindless bureaucracy and lies.
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.