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The Repair Shop on the Road - (Feb 20th)
The Kelly Clarkson Show - (Feb 20th)
NCIS- Sydney - (Feb 20th)
Dimension 20 - (Feb 20th)
The Nature of Things - (Feb 20th)
Family Feud Canada - (Feb 20th)
The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Full review: https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/the-kids-are-gonna-be-okay-cmon-cmon-review _C’mon C’mon_ isn’t an easy movie to classify. It doesn’t fit in a simple genre. It’s the kind of movie that reaches into your chest and builds a home there; a one-in-a-million movie that makes you acutely aware of being alive. You can feel the warmth of the blood in your veins and the ache of the bones in your body. You are present and you are witnessing magic.
This might be the first documtari-aphical I've ever seen maybe. It's a fascinating mash-up that gently reminds us of how lost we are as a society and yet, how hopeful we deserve to be. It's heart-full cinema at it's best.
C’mon C’mon is a beautiful look at the developing relationship between an uncle and his nephew. It made me feel a huge range of emotions and has a very satisfying ending. The script is excellent and it is elevated due to fantastic performances from the entire cast. Joaquin Phoenix is superb and his chemistry with both Woody Norman and Gaby Hoffmann is excellent. Norman was great, he had such a wide range for a young actor and was able to make his emotions feel genuine, which is difficult in a lot of child actors. Hoffman was also quite good, she displays her helplessness to care for both her son and ex-husband tremendously well. Cinematography was top notch and the audio design was brilliant. There are some really cool things that are done with the interview sections/street recordings that create a very unique listening experience. My one complaint is that the movie drags on a little longer than it should. There is not a lot going on in this film, and that is fine because you get to spent time with the characters and see their relationship blossom. But that creates a very slow pace that could have been corrected with a slightly shorter runtime. Score: 79% Verdict: Great
Hard-nosed liberal lawyer Roman J. Israel has been fighting the good fight forever while others take the credit. When his partner – the firm's frontman – has a heart attack, Israel suddenly takes on that role. He soon discovers some unsettling truths about the firm – truths that conflict with his values of helping the poor and dispossessed – and finds himself in an existential crisis that leads to extreme actions.
When Lou Bloom, desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.
When a young boy shoots at a bird and misses, he embarks on a search to find where the bullet went.
An early short by Wolfgang Büld, in which he wanted to depict the pleasant, mundane songs and movies of the 50s. The film was supposed to be like a song by Peter Kraus or Ted Herold.
A dispute arises between two brothers over a piece of land, and this dispute stands in the way of marriage between a son and a cousin. In light of that dispute, one of the servants kills one of the two brothers, and the other brother is accused of the crime, so the head of the family cooperates with his son and daughter to kill the brother who is unjustly accused of murder, taking With revenge, but events lead to a surprise.
Filmmaker William Blackwell Kinney and friends embark on an unforgettable adventure at the Emerson Los Angeles program.
"Fag End" is an astute representation of the metaphorical death of a mother. The movie revolves around a girl named 'Tania', a victim of smoking and alcohol abuse, going through the process of In vitro fertilization. When it comes to alcohol and smoking, an abuser is overlapped with the tendencies of both alcoholism and chain smoking wherein one is subjected to intense cravings, followed by untoward mental as well as physical detention. Things go downhill one morning, as she relapsed the night before and she suffers a miscarriage. Does it not leave us with the raucous screams of the unborn?
Three separate stories – a mother, her teenage daughter, and a police officer – converge thanks to one event: the titular incident, wherein a dog is injured.
A little girl's perspective of a core memory with her dad, during which her imagination keeps her from the reality about her father.
A film buff's obsession with an elusive, possibly nonexistent film spirals into a dangerous descent, blurring the line between reality and madness.