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Full review: https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/the-kids-are-gonna-be-okay-cmon-cmon-review _C’mon C’mon_ isn’t an easy movie to classify. It doesn’t fit in a simple genre. It’s the kind of movie that reaches into your chest and builds a home there; a one-in-a-million movie that makes you acutely aware of being alive. You can feel the warmth of the blood in your veins and the ache of the bones in your body. You are present and you are witnessing magic.
This might be the first documtari-aphical I've ever seen maybe. It's a fascinating mash-up that gently reminds us of how lost we are as a society and yet, how hopeful we deserve to be. It's heart-full cinema at it's best.
C’mon C’mon is a beautiful look at the developing relationship between an uncle and his nephew. It made me feel a huge range of emotions and has a very satisfying ending. The script is excellent and it is elevated due to fantastic performances from the entire cast. Joaquin Phoenix is superb and his chemistry with both Woody Norman and Gaby Hoffmann is excellent. Norman was great, he had such a wide range for a young actor and was able to make his emotions feel genuine, which is difficult in a lot of child actors. Hoffman was also quite good, she displays her helplessness to care for both her son and ex-husband tremendously well. Cinematography was top notch and the audio design was brilliant. There are some really cool things that are done with the interview sections/street recordings that create a very unique listening experience. My one complaint is that the movie drags on a little longer than it should. There is not a lot going on in this film, and that is fine because you get to spent time with the characters and see their relationship blossom. But that creates a very slow pace that could have been corrected with a slightly shorter runtime. Score: 79% Verdict: Great
A young Italian actress embarks on a self-destructive spree of sex, drugs and other excess while doing some soul searching to find the path for redemption.
A starry-eyed actress with a troubled past faces her harshest critic during an interview gone wrong.
The Davenport sisters have drifted apart over the years but when their Dad wins the lottery all he wants is having his girls home for Christmas. Getting over years of resentment proves a big task but it's pushed aside when their mother suffering from dementia loses the ticket. They put aside their differences to help find the ticket and in doing so get over their differences and finally learn to come together.
A naive young college student, who is majoring in chemistry, is persuaded by her roommates and a would-be drug dealer to make LSD for them, and she winds up getting caught up in the "acid" lifestyle.
Depressed and jaded after being dumped by her married boyfriend, aging beauty Minnie Moore wonders if she'll ever find love. After shaggy-haired parking lot attendant Seymour Moskowitz comes to her defense from an angry and rebuffed blind date, he falls hopelessly in love with her despite their myriad differences. Minnie reluctantly agrees to a date with Moskowitz, and, slowly but surely, an unlikely romance blossoms between the two.
New Yorkers Paul and Meryl Morgan seem to have it all - except that their marriage is crumbling around them. But their romantic woes are small compared to the trouble they find themselves in after witnessing a murder. To protect them from an assassin, federal agents whisk away Paul and Meryl to a small town in Wyoming, where their marriage will crash and burn, or their passion will reignite.
Dorothy Reid - who before her marriage to ill-fated screen idol Wallace Reid was better known as Dorothy Davenport - was both producer and star of Satin Woman. After the death of her husband from drug abuse in 1923, Davenport dedicated herself to helping others avoid the pitfalls of modern life by turning out a series of cautionary film fables. In Satin Woman, she endeavored to warn society women not to neglect their families for the sake of fads, foibles, and handsome younger men.
Year 1943. A group of soldiers, carrying an injured comrade, are trying to reach the hospital.
Story depicting the national liberation struggle of the Albanian people against the Italian and German invaders during World War II.
During an annual cabin retreat, a dying man must confront past mistakes after learning he may not know his friends as well as he may think.