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A timely and atmospheric eco-thriller hamstrung by a plodding plot where the slow-burn comes in the last act, not the first. Add a slacker boyfriend that is so completely annoying and useless it makes 88 minutes feel like three hours.
**_There’s something in the water_** Two college youths (Liana Liberato & Noah Le Gros) take a romantic getaway to the lonely shores of Cape Cod before the Summer season hits. An unexpected older couple disturbs them a bit (Jake Weber & Maryann Nagel), but that’s nothing compared to the curious goings-on in the environment. "The Beach House" (2019) is a capably made slow-burn ecological mystery with a Northeastern coast milieu. It starts out similar to “Beach House” from the year prior, but takes a sci-fi/horror turn in the second half. The landscape is scenic in a typical coastal sense, but desolate and somehow haunting. The tone is mundane and increasingly nihilistic. The film shoots for creepy mood rather than over-the-top thrills, although there are some shocks in the last act. Winsome Liana works well as the protagonist but, really, the entire cast are effective (four people, basically). The proceedings get kinda boring by the mid-point, unfortunately, but the writer/director obviously wanted to keep things plausible, as in: What would happen if this took place in real life? So, if you appreciate lowkey drama and eerie ambiance, this is worth checking out. If, however, you need exaggerated dramatics and explosions every five minutes, stay away. Even if you don't like the story, the flick's a great way to visit Cape Cod without actually going there. The movie runs 1 hour, 28 minutes, and was shot at North Truro, Massachusetts, which is near the tip of the Cape, facing the bay. GRADE: B-/C+
When Jessica moves back into her childhood home with her family, her youngest stepdaughter Alice develops an eerie attachment to a stuffed bear named Chauncey she finds in the basement. Alice starts playing games with Chauncey that begin playful and become increasingly sinister. As Alice’s behavior becomes more and more concerning, Jessica intervenes only to realize Chauncey is much more than the stuffed toy bear she believed him to be.
A young girl is sent to a South American hacienda, where she learns about the life of her reclusive aunt, Oriana.
A mad stage hypnotist Dr. John Basso reverts his beautiful assistant Doreena into the physical form of a prehistoric sea monster she was in a past life. Using this power he attempts to find fame and fortune by predicting a series of murders and then using the monster to carry them out.
Ryuji Yamamoto, an actor from over 1,000 pink and AV film, directs and plays a fictionalized version of himself that has a gay awakening at Cine Friends Nishijin in Kyoto. Many pink film actors and crew also appear as "themselves."
A lone front desk attendant in an isolated motel must battle his anxiety disorder, cleaning obsession and possible motel contamination while serving quarantined guests in the middle of a deadly global pandemic.
Larry, a publisher, wants Kate to write a book about the 'Office Wife'. An executive stenographer's duties creates a relationship approaching that of his wife. Little does Larry know that sometimes literature mirrors life.
The world faces a horrific onslaught of tornadoes, each unleashing spiraling hordes of enraged and deadly cats upon humanity. As chaos reigns, a disparate group of individuals have one mission: to stop this feline fury. But against such odds, and with only one life to spare per person, their battle becomes a cat-astrophic struggle to weather the storm. And when the fur flies it will be a meow-ssacre.
A broken man attempts to win back the love of his wife by recreating the events of their first wedding anniversary.
As a virus spreads throughout Brazil, a young filmmaker goes back to his village and tries to rekindle his relationship with his father. But as they become closer, stranger events start to happen, making their connection more difficult.
Nana (Jun Natsukawa) and her colleague Mei (Moe Yoshizawa) spend time in a virtual world with a man and sell their love memories. The next Nana customer is Mitsuru (ERIKU). Nana begins to fall in love with Mitsuru even though she knows she is virtual. But her litigation is a virtual world. Mitsuru in the real world was just a man.
Agostino is a 13-year-old boy on vacation in Venice with his widowed mother. When a local stud seduces her, jealous Agostino joins a local group of juvenile delinquents out of protest. They force him to face his budding sexuality..