QT8: The First Eight

A documentary made on the set of "The Learning Tree." Narrated by Gordon Parks Jr., and featuring interviews with Gordon Parks Sr. and members of the cast and crew.

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

Director James Toback takes an unflinching, uncompromising look at the life of Mike Tyson-almost solely from the perspective of the man himself. TYSON alternates between the controversial boxer addressing the camera and shots of the champion's fights to create an arresting picture of the man.

An all-access tour behind the scenes at France’s premiere film school, La Fémis. Showing us how successful candidates get to follow in the footsteps of such luminaries as Louis Malle, François Ozon and Alain Resnais, all of whom attended this prestigious institution. Stumbling over their words, the often-nervous candidates seem vulnerable when confronted with the veterans of the industry, who have the difficult task of discovering true talent among all these eager young people.

An account of the life and work of legendary Japanese actor Toshirō Mifune (1920-97), the most prominent actor of the Golden Age of Japanese cinema.

An comprehensive look at the life and music of Mark Linkous, a influential figure in the alternative music scene. Critically-acclaimed Linkous had a dramatic life that saw him battle with drug and alcohol addiction, paralysis, and debilitating depression that resulted in his eventual suicide. Mark's music was heralded by his peers and critics; a mix of delicate pop, discordant punk and melodic odyssey; it has been described as defiantly surrealist with all manner of references to smiling babies, organ music, birds, and celestial bodies. The film mines Marks life and music and navigates the sacrifices and highs and lows of his art.

Introducing his never before seen 'leaping one-hander' to the masses on a national level, Kenny Sailors quickly grew to be a fan favorite while leading his Wyoming Cowboys to the Collegiate National Championship in Madison Square Garden in 1943. But after playing on several losing teams in an unstable, emerging league now known as the NBA, Kenny disappeared into the Alaskan wilderness only to be forgotten by the sport he helped pioneer. Now, nearly sixty years later, the multitude of people he has touched along the way have forced Kenny’s humble reemergence.

The story of lyrical genius, Martin Phillipps and his band, The Chills, is a cautionary tale, a triumph over tragedy, and a statement about the meaning of music in our lives.

25 years after the verdict in the Jamie Bulger murder trial, we reveal what the jury, public and press never heard, and what his two killers, Thompson and Venables, said during their time in custody from arrest to release.

This film is dedicated to Maria Lai, an artist born in 1919 in Ulassai, Sardinia. Surrounded and inspired by the ogliastra countryside, the cyclopic guardian of plots and landslides, Maria Lai uses inert materials like stone, concrete, asphalt, metal and wood to work old and new legends into librettos of individual works, installations and interventions, thus becoming part of the landscape that calls to her. In making this film the authors have confided in the artist’s role as a spokeperson, and it is as if one is listening to the voice of a wild olive tree - both millenary and contemporary - a voice that knows what to say (and can say whatever it wants) from beyond the boundaries of reality, history, nature and art. As that tree, the artist - confident of her roots - with a sound sense of rhythm and scansion, multiplies big and small stories, just as she did with the bread and fish in Santa Barbara di Ulassai along the way to the country church.