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**_The good, the bad and the psychedelic of the Counterculture in the 60s_** A deaf teen (Susan Strasberg) runs away to San Francisco's Haight-Ashbury district to find her artist brother, known as The Seeker (Bruce Dern). She befriends the members of a psychedelic band through whom she’s introduced to the hippie subculture. Jack Nicholson plays the leader of the band. Dean Stockwell, Adam Rourke and Max Julien are also on hand. “Psych-Out” (1968) has a bit more story compared to Roger Corman’s “The Trip” from the previous year, which featured Peter Fonda running around doing crazy things on LSD (although it’s a pretty good simulation of an acid trip with fantastic visuals using the technology of the time). Despite the warning at the beginning of “The Trip,” it’s basically pro-LSD whereas “Psych-out,” produced by Dick Clark, has an anti-drug message in that it dares to show the awful truth, like bad trips, squalor and so on. Since it was shot during the actual era and area, it’s a pretty authentic look at the Counterculture movement, which you can compare with the real-life people of the documentary “Woodstock” (1970). Some of the attitudes of the movement were good and stand the test of time while the libertinism was a foolish path to ennui and self-destruction (mentally, spiritually or physically). A lot of the psychedelic music is pretty good, mostly performed by the Storybook, a San Fernando Valley garage band, but also The Strawberry Alarm Clock, The Seeds and Boenzee Cryque. Surprisingly, there’s a blatant rip-off of Hendrix’ “Purple Haze” and a little “Foxy Lady,” two songs released just before the flick was made. I’m not sure how they got away with that; I guess the ’60s weren’t as litigious as in the decades since. Winsome brunette Strasberg (Jenny) is a highlight, but blonde Linda Gaye Scott (Lynn) arguably steals the show in the feminine department. One weak point in the script is the ambiguity concerning The Seeker. Even Bruce Dern said he was unclear about the character’s role despite his being pivotal to the story. He’s supposed to be a leader of the hippie movement and has attracted enemies due to his controversial influence, yet the damage was done by this point in which he comes across as a drug-addled loser who can hardly construe a sentence of coherent words. I suppose that’s the message. If I'm in the mood for 60's youth entertainment, I'll go with "Lord Love a Duck," starring Roddy McDowall, or even "Village of the Giants." If I want something more serious, I'll go with "The Wild Angels," "Easy Rider" or "Billy Jack." Yet “Psych-Out” works as a serious counterpart to "Beyond the Valley of the Dolls," minus the fruity twaddle. The junkyard sequence is a highlight. The original version runs 1 hour, 22 minutes, but there’s a Director’s Cut that runs 19 minutes longer and generally just makes the movie drag. The flick was shot in San Francisco and Los Angeles. GRADE: B-
Fifteen years after murdering his sister on Halloween Night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield, Illinois to kill again.
Ronia lives happily in her father's castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronia have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.
After Dr. Bill Harford's wife, Alice, admits to having sexual fantasies about a man she met, Bill becomes obsessed with having a sexual encounter. He discovers an underground sexual group and attends one of their meetings - and quickly discovers that he is in over his head.
This 99-minute concert, which was recorded at the world-famous Paradiso in Amsterdam on May 26, 1995, captures the Rolling Stones in top form playing a strong 20-song set to a high-spirited audience. This was the first of four small-scale club shows that the band held on the European leg of their big-scale 1994/1995 'Voodo Lounge' world tour. These shows can be seen as a kind of response to 'MTV Unplugged' with the band playing rawer, stripped-down and sometimes unplugged versions of their well-known hits as well as rare songs. The Paradiso set list includes a number of rarities from the Rolling Stones' extensive back catalogue that are performed only seldom, including "It's All Over Now," "The Spider and the Fly," "Shine a Light" and "Respectable." The final song from this show, "Street Fighting Man," was used as the opening track on the band's 1995 album 'Stripped.' The full concert was released on DVD and SD Blu-ray as part of the 'Totally Stripped' deluxe boxed set on June 3, 2016.
As part of their 1994/1995 Voodoo Lounge world tour, the Rolling Stones gave a handful of small-scale, stripped-down concerts in Europe as a kind of response to 'MTV Unplugged.' This show that took place on July 19, 1995 at the Brixton Academy in London, a venue with a capacity of about 5000, was the final of a total of four club shows. The other shows were held in Paris and Amsterdam, and all of them were recorded for a forthcoming album, which was eventually named 'Stripped' and released on November 13, 1995. Two songs from the London show made it on the album, namely "Dead Flowers" and the Bob Dylan-penned "Like a Rolling Stone," with the latter also being released as the lead single off the album. "Black Limousine" and "Live with Me" from this show were chosen as the B-sides for the singles "Like a Rolling Stone" and "Wild Horses," respectively. The full Brixton Academy concert was released on DVD and SD Blu-ray as part of the 'Totally Stripped' deluxe boxed set on June 3, 2016.
In November of 1995, the Rolling Stones released the acclaimed album 'Stripped,' their second release on the Virgin Records label after 1994's 'Voodoo Lounge.' The concept for 'Stripped,' a studio/live hybrid album with stripped-down instrumentation, was conceived as a kind of response to 'MTV Unplugged' while the band was on their big-scale 1994/1995 world tour in support of 'Voodoo Lounge.' A total of four stripped-down concerts were held at small venues in Amsterdam, Paris and London, and recorded for the album 'Stripped.' The concert that was released under the title "Live from Paris 1995" on DVD and SD Blu-ray as part of the 2016 'Totally Stripped' deluxe boxed set took place on July 3, 1995 at the Paris Olympia, a venue with a capacity of about 2000. Three songs from this intimate concert were included on the original 'Stripped' album, namely "Shine a Light," "Let It Bleed" and "Angie."
Andrew returns to his hometown for the funeral of his mother, a journey that reconnects him with past friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam - a girl also suffering from various maladies - opens up the possibility of rekindling emotional attachments, confronting his psychologist father, and perhaps beginning a new life.
From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.
In the seventies Strange Fruit were it. They lived the rock lifestyle to the max, groupies, drugs, internal tension and an ex front man dead from an overdose. Even their demise was glamorous; when lightning struck the stage during an outdoor festival. 20 years on and these former rock gods they have now sunk deep into obscurity when the idea of a reunion tour is lodged in the head of Tony, former keyboard player of the Fruits. Tony sets out to find his former bandmates with the help of former manager Karen to see if they can recapture the magic and give themselves a second chance.