Disclaimer - This is a news site. All the information listed here is to be found on the web elsewhere. We do not host, upload or link to any video, films, media file, live streams etc.
Kodiapps is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content streamed to/from your device.
We are not connected to or in any other way affiliated with Kodi, Team Kodi, or the XBMC Foundation.
We provide no support for third party add-ons installed on your devices, as they do not belong to us.
It is your responsibility to ensure that you comply with all your regional legalities and personal access rights regarding any streams to be found on the web. If in doubt, do not use.
Kodiapps app v7.0 - Available for Android.
You can now add latest scene releases to your collection with Add to Trakt. More features and updates coming to this app real soon.
Tip : Add https://kodiapps.com/rss to your RSS Ticker in System/Appearance/Skin settings to get the very latest Movie & TV Show release info delivered direct to your Kodi Home Screen.
Builders are free to use it for their builds too.
The Club That George Built 2024 - Movies (Jan 30th)
Heretic 2024 - Movies (Jan 30th)
Wicked 2024 - Movies (Jan 30th)
The Line 2024 - Movies (Jan 30th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
The Pushover 2024 - Movies (Jan 28th)
A Real Pain 2024 - Movies (Jan 28th)
The Tattooist’s Son Journey to Auschwitz 2025 - Movies (Jan 28th)
Tom Green I Got a Mule 2025 - Movies (Jan 28th)
Monster on a Plane 2024 - Movies (Jan 28th)
Nature - (Jan 30th)
Storyville - (Jan 30th)
Road Wars - (Jan 30th)
Perfect Match - (Jan 30th)
Family Feud Canada - (Jan 30th)
The Nature of Things - (Jan 30th)
Homes Under the Hammer - (Jan 30th)
Celebrity Help My House Is Haunted - (Jan 30th)
Are We Changing Planet Earth - (Jan 30th)
Body Bizarre - (Jan 30th)
Bangers and Cash - (Jan 30th)
The 11th Hour with Stephanie Ruhle - (Jan 30th)
Married at First Sight UK - (Jan 30th)
Bargain-Loving Brits in the Sun - (Jan 30th)
Live PD Presents- PD Cam - (Jan 30th)
Florida Heat - (Jan 30th)
Ozark Law - (Jan 30th)
Pawn Stars - (Jan 30th)
Dateline- Secrets Uncovered - (Jan 30th)
After Midnight - (Jan 30th)
No big-budget battle picture, this is a small, intimate chamber of moral horrors. Fukasaku spares neither his characters nor his viewers to deliver a personal anti-war film that indicts an entire social system. People are tested to the breaking point, without meaning or goal except to escape a miserable death. By the end of the story, you are invited to conclude that no one who felt the brunt of the war survived it; that in truth the Japanese nation did not survive. Those who stay more or less intact seem frankly superhuman. Prominently featured: sham leadership, ethical vacuity, corruption, betrayal, guilt, and an individual struggle to to avoid being overwhelmed and erased. The flesh-and-blood characters double as social types in a harsh allegory of Japan’s collective refusal to admit unbearable truths. Little by little, the full weight of blame is laid on civil and military authorities. The Japanese Emperor himself is presented with a kind of grisly bar tab: 3.1 million Japanese lives lost to the war. It’s been said with reason that this movie is too accusatory be made in Japan today. Relentless as he may be, you never detect in Fukasaku an attitude either of cruelty or of smug superiority. He acknowledges human weakness, without quite excusing it; but his utmost condemnation is reserved for societies that recklessly sacrifice their citizens in the pursuit of power. Sachiko Hidari’s performance gives the movie its moral center. Though the tone is often surreal, there is never a false note from any of the actors. It’s really great work all round. The 2005 North American DVD release features a clean 16:9 transfer, and some unusually helpful extras.
