A husband becomes unfaithful to his wife, and buys a bouquet of flowers which he wants to give an another woman. But that woman doesn't come to the meeting, so he tries to get rid of the bouquet.
In January, 1997, a team of five nurses, four anesthesiologists, and three plastic surgeons arrive in Vietnam from the United States for two weeks' of volunteer work. They operate on 110 children who have various birth defects and injuries. They also talk to the film crew about why they've made this trip and what it means to them. We watch them work, and we see the children, their families, and their surroundings in the Mekong Delta. Over the closing credits, Dionne Warwick sings Bacharach and David's "What the World Needs Now Is Love".
A year in the life of the Palm Springs Follies, featuring beautiful, ageless performers from around the world in a show that is always Standing Room Only. The film intercuts colorful interviews with the participants and footage of auditions, rehearsals, and the actual performances.
This film illustrates the life of the film director, Shui-Bo Wang in The People's Republic of China. We learn of the life of the director in his own words and images from a child steeped in the values of Chinese communism exemplified by Chairman Mao, to a young man striving to live up to those ideals both as an artist and a soldier.
A coast guard captain on a small Greek island is suddenly charged with saving thousands of refugees from drowning at sea.
Traveling to North Africa, Ripley offers views of The Meeting Place of the Dead in Morocco, a jail for nagging wives, a village with houses made of tin cans, and a sultan with many wives and children.
Short doc in which Anthony Slide (Andre De Toth on Andre De Toth) discusses the work of Andre De Toth in general and The Indian Fighter in particular.
Queen Silvia of Sweden tells a little about her life in an animation made of stamps.
Clay-on-glass under-the-camera animated interpretation of Emily Dickinson's poem by animator Lynn Tomlinson.
Helping the little fishing boats and the members of this out-port community is the Lighthouse Man's pride and joy. When the town develops and "outgrows" his analog ways, his sense of purpose is lost and, even worse, he feels like a nuisance in his own home. He gives up his role... But, will the town and its people need him again?