Operation Mistletoe 2024 - Movies (Dec 2nd)
Jack in Time for Christmas 2024 - Movies (Dec 2nd)
Mickey and the Very Many Christmases 2024 - Movies (Dec 2nd)
Last ExMas 2024 - Movies (Dec 2nd)
Heavier Trip 2024 - Movies (Dec 2nd)
The Christmas Quest 2024 - Movies (Dec 2nd)
The Finnish Line 2024 - Movies (Dec 2nd)
Forgive Me Father 2024 - Movies (Dec 2nd)
Juror #2 2024 - Movies (Dec 2nd)
The Final Days of Adolf Hitler 2024 - Movies (Dec 1st)
Once Upon a Time in Amityville 2024 - Movies (Dec 1st)
The Desiring 2024 - Movies (Dec 1st)
Spooky Action 2023 - Movies (Dec 1st)
Break 2024 - Movies (Dec 1st)
12 Baes of Christmas 2024 - Movies (Dec 1st)
My Crazy Seven 2024 - Movies (Dec 1st)
Light 2024 - Movies (Dec 1st)
What Happened at 625 River Road 2023 - Movies (Dec 1st)
A Christmas Dream 2024 - Movies (Dec 1st)
A Heart for Christmas 2024 - Movies (Dec 1st)
The Christmas Chain 2024 - Movies (Dec 1st)
Poppas House - (Dec 3rd)
Star Wars- Skeleton Crew - (Dec 3rd)
Get Millie Black - (Dec 3rd)
Derelict Rescue - (Dec 3rd)
The Bold and the Beautiful - (Dec 3rd)
The Beat with Ari Melber - (Dec 3rd)
Lets Make a Deal - (Dec 3rd)
The Talk - (Dec 3rd)
The Young and the Restless - (Dec 3rd)
Rhod Gilberts Growing Pains - (Dec 3rd)
Deadline- White House - (Dec 2nd)
999- On the Front Line - (Dec 2nd)
Dispatches - (Dec 2nd)
Im a Celebrity... Unpacked - (Dec 2nd)
24 Hours in Police Custody - (Dec 2nd)
Teen Titans Go - (Dec 2nd)
Four in a Bed - (Dec 2nd)
Richard Osmans House of Games - (Dec 2nd)
Police Interceptors - (Dec 2nd)
Katy Tur Reports - (Dec 2nd)
a movie within a movie within a movie. epic... except it's not I do want to see Aubrey Plaza in more lead roles though
Aubrey Plaza is terrific in this! 'Black Bear' is intriguing from beginning to end. I did find the first half to be the stronger and most interesting part, though the conclusion is still fairly captivating all the same. As noted, Plaza is excellent throughout - she carries the film, no doubt. Christopher Abbott has a few moments, while it's neat to see 'The Walking Dead' newcomer Paola Lázaro involved.
I’d really like to like Black Bear. I actually was really liking it a lot, even enjoying it, right up to the halfway point, where the whole thing comes crashing down faster than Kevin Spacey’s career. Black Bear is divided into two parts; The Bear on the Road, and The Bear by the House (let’s call them BB1 and BB2); both parts end with the appearance of the titular Ursus americanus, but could very well have ended with a sign saying ‘Dead End’. In a remote lake house in the Adirondacks, Gabe (Christopher Abbott) and Blair (Sarah Gadon), welcome Allison (Aubrey Plaza), an up-and-coming film director. Like the stereotypical artists, these three are creative and intelligent, but also childish and belligerent. Allison is a bald-faced pathological liar, Gabe is immature and manipulative, and Blair doesn’t let her pregnancy get in the way of a burgeoning alcoholism (the casting, by the way, is spot-on). Their interactions are fraught with patronizing passive-aggressiveness.This is plain good ol’ rubbernecking fun. The dialogue is both obscene and highbrow(I especially enjoyed the use of the word “solipsistic”), but sadly the biggest insult, to the audience’s intelligence, takes the form of a cliffhanger —for lack of a better term — that segues into BB2.The second half is a meta-textual quagmire wherein there’s a movie-within-the-movie, but that inner movie isn’t really the movie we were watching thus far, so presumably there’s a hypothetical third movie buried somewhere in this conceptual nightmare. If BB1 was a about a train wreck from which we could not take our eyes off, BB2 is just a train wreck, period. The only quality that crosses over from the first half is the acting, which is probably even better — but that just makes me feel sorry for the cast. All things considered, what we have here are two drafts of the same admittedly good idea, which doesn’t equal a single finished product. Instead of going back to the drawing board, the writer/director has simply opted to present the same underdeveloped premise twice in a row, both times neglecting to come up with a proper conclusion.
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.
A very handsome man finds the love of his life, but he suffers an accident and needs to have his face rebuilt by surgery after it is severely disfigured.
David Aames has it all: wealth, good looks and gorgeous women on his arm. But just as he begins falling for the warmhearted Sofia, his face is horribly disfigured in a car accident. That's just the beginning of his troubles as the lines between illusion and reality, between life and death, are blurred.
Ambulance driver Frank Jessup is ensnared in the schemes of the sensuous but dangerous Diane Tremayne.
The earliest British televised production in existence of the play Othello, with black American actor, Gordon Heath, in the title role. This was the first televised version of the play to feature a black actor in the title role. Gordon Heath, an American, came to Britain in 1947 and was cast by Kenneth Tynan to play Othello in his 1950 Arts Council production. The play takes place in Venice and Cyprus and the original production was part-live, with recorded Venice sequences
A doctor (Vishnuvardhan) falls in love with his student (Suhasini) but fails to tell her about his feelings. When he finally musters courage to tell her she tells him that her marriage is fixed to Jai Jagadeesh. Vishnuvardhan cannot forget her and slowly withdraws into a shell. Meanwhile, Jai Jagadeesh starts suspecting his wife because she gives importance to hospital and starts misbehaving with her. Suhasini discovers that Vishnuvardhan is terminal and may not survive for long. She starts taking more care of him in hospital. This frustrates her husband even more and he fights with Vishnuvardhan. Suhasini goes home to explain to her husband but discovers that her husband has abused the maid. She decides to leave him but Vishnuvardhan tries to convince her husband that his relationship with Suhasini is pure. Jai Jagadeesh misbehaves with Vishnuvardhan and Suhasini gets hurt while trying to make sense with her husband. Finally Vishnuvardhan dies saving her baby.
A piano player pretending to be visually-impaired, unwittingly becomes entangled in a number of problems as he witnesses the murder of a former film actor.
Childhood friends Amy and Steve come home from their first semester of college for a relaxed winter break, but must navigate turbulent reunions, unspoken romance, and even an unplanned pregnancy. There's no place like home for the holidays!
Nicolas Cage is Charlie Kaufman, a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing, and by the screenwriting ambitions of his freeloading twin brother Donald. While struggling to adapt "The Orchid Thief," by Susan Orlean, Kaufman's life spins from pathetic to bizarre. The lives of Kaufman, Orlean's book, become strangely intertwined as each one's search for passion collides with the others'.