Don Donald

MS-DOS demoscene short film that showcases computer animation and music.

Windows demoscene short film that showcases computer animation and music.

In a gritty underworld, a young man with a broken brain is lured into an underground fight tournament, where he must win to save his brother.

New Year's Eve 1999 finds college-bound Clark and Trevor concerned about the future of their friendship, and a request for Clark to be Trevor's wingman ensures things will never be the same again.

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Newly arrived in town Nat and Gabe accept a dinner invitation from the volatile Hungarian Helene and her boorish husband Sasha. Whilst the other guests, ex-Bananarama member Marty, Angie, who 'makes bullets' and the supposedly suicidal Danny are affable enough, Nat and Gabe are shocked by their hosts' very public rows and Gabe's attempt at peace-making is awkwardly received. Nat is taken aback when virtual stranger Helene confides in her about Sasha's suspected infidelity and Gabe is rudely rebuffed when he tries to have a heart to heart with Sasha. After Helene physically attacks her husband the newcomers are desperate to leave but when Danny drops a bombshell Gabe is torn between responsibility and the easy way out.

Every winter, a magical snowman puts on a show for a little girl. But over time, life pulls them apart. Will she remember to take the time for what she loved?

Jesse, a small-time criminal, high-tails it to Los Angeles to rendezvous with a French exchange student. Stealing a car and accidentally killing a highway patrolman, he becomes the most wanted fugitive in L.A.

A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.

Led by Dylan Arnold (Oppenheimer, Halloween, Halloween Kills, Netflix's You), premiering at Cannes Court Métrage and landing its creators on Variety Magazine's "Students to Watch" list, Helpless comments on the high stakes of violence in America.