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this is nice movies and then best part of the the movies story is good.
Ha! Rarely can a film have a more appropriate title nor can any marriage get off to a less auspicious start. Firstly, after a beautifully photographed and scored series of images of real planets colliding, we are presented with a loved-up couple "Justine" (Kirsten Dunst) and "Michael" (Alexander Skarsgård) stuck in an eighty-foot white limousine trying to navigate some country lanes to get to their own wedding. Arriving, eventually, on foot and very late we proceed to enjoy a brief speech from her mother "Gaby" (Charlotte Rampling) who declares that she has no time for marriage at all - a state of affairs largely arrived at due to some fairly irreconcilable differences with ex-husband "John" (Kiefer Sutherland). That does rather set the scene for an at times extremely potent look at just how depression sets in, takes hold and rules ruthlessly the lives of those it touches. This is most certainly not a joyous piece of cinema, but it most certainly an honest one - and both Dunst and Charlotte Gainsbourg as her new mother-in-law "Claire" deliver strongly and quite compellingly as we begin to appreciate the rather prophetic nature of the opening few scenes. Conflict is never far away, tempers flare - especially when "Justine" speaks her mind to best man and employer "Jack" (Stellan Skarsgård) and it's really only in the second part of the film - dedicated to "Claire" that a sort of calm befalls the proceedings, aided by the presence of the young "Leo" (a stabilising effort from Cameron Spurr!). Be prepared for a slow burn, nothing happens quickly - though it does happen quite powerfully - and I think this may well prove to be Dunst at her very best. Like most Van Trier films, it improves with viewings so I'd give it two or three goes and then I think you'll get more from these nuanced and well constructed - if deconstructed - characters.
A complex and fascinating experimental exploration of time and identity, Anti-Clock is a film of authentic, startling originality. Brilliantly mixing film and video techniques, Arden and Bond's paranoid, psychological surveillance study of a career gambler turned clairvoyant unstuck in time captures onscreen the anxieties that have infiltrated the consciousness of so many in Western society.
Satan tempts Father Dossignan, who is trying to save the soul of a young girl who killed one of her lovers.
Meursault is a man who feels utterly isolated from everyone and everything around him. This alienation results in sudden, inexplicable bursts of violence, culminating in murder.
An outrageous, affectionate look at coming of age in the Eisenhower era in Brooklyn.
Two lives collide and then change forever when a suicidal psychiatrist is interrupted mid-attempt by the ambitious son of his wealthiest patient- a young man who claims to desperately need help and won't take no for an answer.
Sexually abused as a young girl, Kate "Ma" Barker grows into a violent and powerful woman by the 1930s. She lovingly dominates her grown sons and grooms them into a pack of tough crooks. The boys include the cruel Herman, who still shares a bed with Ma; Fred, an ex-con who fell in love with a fellow prisoner; and Lloyd, who gets high on whatever's handy. Together they form a deadly, bizarre family of Depression-era bandits.
About the young life and loves of artist Salvador Dalí, filmmaker Luis Buñuel and writer Federico García Lorca.
Days before his birthday and weeks before his wedding, Tate Bradley, a twenty-five year old, African-American man attempts to commit suicide. He survives the ordeal, but from his actions, it is obvious that "Something is Killing Tate." The question is: "What?" Tate attempts to isolate himself to his apartment - hiding from the world.
As two brothers fall in love with the same woman they must come to grips with the accidental death of their father in this sensitive drama set in Miami.
Carla's (Rita Magdalena) sister commits suicide. Devastated, she decides to go to the province.. where she wreaks havoc among the men.
A notable opera singer tries to commit suicide because of a emotional breakdown. While hospitalized in a psychiatric clinic, her daughter cautiously approaches the man she considers to be the blame for the state of her mother in order to gain her revenge.