Daytime Revolution 2024 - Movies (Feb 7th)
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Disco’s Revenge 2024 - Movies (Feb 7th)
The Coddling of the American Mind 2024 - Movies (Feb 6th)
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The Distance Between Us 2024 - Movies (Feb 4th)
A European Christmas 2024 - Movies (Feb 4th)
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Daytime Revolution 2024 - ()
Flight Risk 2025 - ()
Disco’s Revenge 2024 - ()
The Coddling of the American Mind 2024 - ()
Death Without Mercy 2024 - ()
V/H/S/Beyond 2024 - ()
Mafia Wars 2024 - ()
Love Hurts 2025 - ()
Cinderellas Revenge 2024 - ()
Slide 2025 - ()
Queer Planet 2024 - ()
The Forge 2024 - ()
Green and Gold 2025 - ()
Grace Wins 2024 - ()
Deadzone 2024 - ()
The Distance Between Us 2024 - ()
A European Christmas 2024 - ()
Super Icyclone 2024 - ()
The Perfect Mother 2024 - ()
Thirsty for Likes 2024 - ()
Young and talented Han van Meegeren is a rebel in the early 1920's Amsterdam art-scene. Because he paints in the style of his idols Rembrandt and Vermeer, critics find his work old-fashioned and they call him a copycat. Just to prove a point, he produces a fake Vermeer and tries to pass it off as a real one. It works. Instead of revealing the truth and thereby embarrassing the art world, he continues to make money off of his many forgeries. Soon he is caught in a web of lies and deceit, and his life spins out of control. Then one day, high ranking Nazi Hermann Göring knocks on his door, looking for a Vermeer for his private collection...
In the 17th century, the Netherlands experienced an unprecedented artistic explosion: painters such as Rembrandt, Vermeer and Hals were so prolific that they were able to make a living from their talent alone; so much so that, within a prosperous society, thanks to wealth from overseas colonies and financial speculation, collecting works of art became a status symbol.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
San Sebastián de los Reyes Bullring, Madrid, Spain, March 27, 1977. In response to the strange political alliances that were taking place between antagonistic forces in search of a self-serving consensus, the anarcho-syndicalist union CNT organizes a rally to denounce the reprehensible machinations of its adversaries. (Documentary shot in 1977; edited and released in 2011).
In Spanish, ladrillo means bricks. It used to mean boom, construction, production, speculation. Today, ladrillo means crisis: disused clay pits, factories that are closed half of the year, ghost-towns, subprime mortgagers facing eviction. Bricks shows how the life of a simple commodity can be the mirror of a global crisis, and tells the story of people who come up with individual and collective strategies to overcome a seemingly desperate situation.
This movie is a short documentary about both the narrator's, and the youth's, experience as Christian tourists in Israel.
This documentary features the story of Jules Paivio, the last living Canadian volunteer of the infamous Mackenzie-Papineau Battallion of the “International Brigades”. When Jules left from his home near Port Arthur (Thunder Bay), Ontario, his father, a famous Finnish poet, wrote a lasting lament: “To My Son In Spain”. In 1936-37, 1700 Canadians volunteered to fight with the Spanish people against a fascist coup d’etat led by elements of the Spanish Army. Backed by Musselini and Hitler, the fascists were bent on overthrowing Spain’s democratically elected socialist government and replacing it with military and church rule. It could be argued this conflict marked the true beginning of what would become World War II.
The first journey around the world began under the command of Ferdinand Magellan and was concluded by Juan Sebastián Elcano. Five boats left Seville on September 20, 1519. Storms, famine, tribes… Three years later, only one made it back. An incredible adventure around the planet whose roundness was finally proven.
A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)
Back to the Future, Spain 1982: at a euphoric party, young people celebrate the election victory of the Socialist Party. López Carrasco stages the past with stunning precision and shows the future as a surprising result: well, the present.