Piekło niebo

Academy Award winner Mira Sorvino, Academy and Golden Globe Award winner Anjelica Huston and Stephen Dorff star in this nail-biting tale of action and intrigue about members of an elite undercover team who race against time to locate the source of a deadly virus threatening the lives of millions of Americans.

On the eve of the publication of a biography of Claude Jutra, one of the most famous and celebrated filmmakers in Quebec and Canada, a leak leaked to the press reveals that the book contains anonymous allegations of pedophile acts committed by the filmmaker. The rumor spread like lightning, suddenly igniting the entirety of Quebec society. By finding today some of the main witnesses propelled overnight into the heart of an unparalleled media tornado, the documentary reconstructs with archive images and other previously unpublished images, the sequence of events which led to a rewriting of the story.

A free adaptation of the novel History of the Eye, by Georges Bataille, Janaina Leite investigates the relationship between theatre and pornography, a recurring theme in her last shows, in which it is claimed as a scenic art. Hybrid between fiction and non-fiction, Story of the Eye – A Porn-noir Fairy Tale mixes 13 performers, some amateur and sex workers including a porn actor, a camboy, and a camgirl. With the collaboration of erotic film director Lara Duarte and multi-artist André Medeiros Martins, who performs works on art and pornography on different platforms, the play follows the structure of the book to tell, in fairy tale settings, the story of three teenagers in their sexual discoveries. During intermezzo, the audience watches a gig with live music and performances. Between the blatant theatricality and the explicit of pornography, the show recreates this fable noir among the vulgar and the sublime, mundane and cosmic, ordinary and abyssal.

A young alcoholic woman agrees to attend an AA meeting with her partner. When she unexpectedly runs into her estranged mother, she's forced to confront demons from her past.

29-year-old Satonaka Takashi (Kudo Kankuro) is a freelancer. He falls in love at first sight with Satoru Nobunaga (Shiho Takano), who was a nurse at his previous hospitalization. He half stalks her and ends up working at the "Time Machine" restaurant in Tokyo Patio, an apartment complex for the elderly in Asakusa. On his first day of work, Takashi is approached at the entrance by a strange old man (Kunie Tanaka). However, he is told that the old man, Fujiwara Fujiro, is already dead. Fujiro, unable to give up his feelings for Chidori Kanzaki (Yoko Tsukasa), whom he loved before her death, possesses Takashi and uses his body to fulfill his feelings for her. Possessed by Fujirou, Takashi tries somehow to get rid of the spirit, but without success. However, when Fujirou discovers his feelings for Saiya, Takashi is helped by Fujirou, who has a wealth of knowledge and experience due to his age, and finally decides to allow Saiya to live with him in his body...

18-year-old Yeong-seon lives in a residential facility for teenagers. She tries to leave the place and stands on her own two feet, although a social worker advises her to stay a little longer. On her birthdays, Yeong-seon meets with her mother. On one of these occasions, her mother delivers the unexpected news of her pregnancy.

Adaptation of the 1925 novel by F. Scott Fitzgerald for "Playhouse 90." A Midwesterner becomes fascinated with his wealthy neighbor, who obsesses over his lost love.

Sevim is living with the much older businessman Irfan. When Irfan's wife return home he abandon the young woman. But Sevim has been spoiled by wealthy men and can't change her life, till she meet Kemal.

Apart from showing the situation in Serbia at that time, the parallel course of the story follows the release of the young writer Nusic from prison and his arrival at the villa of King Milan, where he begs for pardon for the satirical song “Two Slaves” whose publication provoked the king’s anger.

Based on personal experiences of the writer, it takes place in 1917 in the Serbian military hospital on the Thessaloniki front, where wounded and sick soldiers and officers open up many crucial discussions, while impatiently waiting for a general order to all allied forces for a joint breakthrough.

The backbone of the story is the beating of the main heroine, an old and lonely woman, who is trying to draw the attention of her daughter and her family.