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In August 1996, bus drivers Marcel Van Loock and Wim Moreels are apprehended by the Moroccan Customs for drug trafficking. Inside their bus, hidden behind a false compartment, they have discovered 700 pounds of hashish. Although the owner of the bus company is arrested as well and makes a full confession clearly indicating that both drivers were unaware of the hidden drugs, the Moroccan judge sentences both men to 5 years in the Moroccan prison of Tangiers. Nothing could have prepared the two men for life inside a Moroccan prison. Without food, clothes or medical care, they must learn how to take care of themselves to survive their stay in prison. Corrupt guards, corrupt lawyers and judges, a consul who doesn't care and frequent beatings are only part of the terrible prison. Meanwhile their families at home are left without any information, any help or any hope - finding out that their own government doesn't care for Belgian people in prisons abroad.
In Tangiers where he traveled for his work, a man finds the woman he loved, and attempts to revive their romance though it ended some 30 years earlier.
When a vacationing couple in Tangiers runs into an old friend there, they discover that he is searching for his missing girlfriend who has been kidnapped by an international gang of white slavers.
A depressed musician reunites with his lover in the desolate streets of Detroit. Though their romance has endured several centuries, it is tested by the arrival of her capricious and unpredictable younger sister.
In Tangier, disgraced American war correspondent Paul Kenyon, café dancer Rita and local entrepreneur Pepe join forces to battle a Nazi diamond smuggler.
A man has an affair with his condemned brother's girlfriend while plotting his escape in Tangier.
Tangier. Dounia decides to sell on the black market the antiques uncovered on the building site she manages. She hopes to raise enough money to be able to leave Morocco with her son, who she hardly ever sees since her divorce. The death of a worker disrupts her plan...
Finding herself accused of a murder she didn't commit, Alice Carroll flees to Tangier, Morocco. District Attorney Henry Holcombe, meanwhile, has discovered that she is actually innocent and sets out to search for her. He finds her in Tanger, but she is under the influence of the shady Wilhelm von Linke, who owns a seedy gambling den. Complications ensue.
Set between a numbing, malodorous factory and the demi-monde of nocturnal Tangier, two street-smart young women work tirelessly to move on with their lives. By day the fast-talking, live-wire Badia and her quiet friend Imane peel shrimp in a factory; by night, they hit the seaside hotels, turn tricks and steal small objects from their clients to pawn. One night they meet two pretty girls their own age who work in the Free Zone of Tangier, a heavily guarded, European-style industrial area. The determined Badia hates peeling shrimps and sees the two new girlfriends, who are slightly better off, as a springboard.
Set in the mid-1950s when Tangier was still an international zone, El Chergui presents the city on the eve of its independence, as Aïcha resorts to magical practices to try to prevent her husband from taking a second wife. Around her, a society of women creates its own form of active resistance even as the larger independence movement grows around it. Through his unique use of montage, Smihi creates arresting images that present a society torn by the contradictions of colonialism, religion, patriarchy, and resistance. (Block Cinema)
Kamel Raoui, a young police inspector in Tanger, investigates the murder of drug-dealer Hakim Tahiri. The victim's mistress Touria, just living for her fatally-ill younger brother Pipo, is considered the main suspect, so Kamel learns more and more about their hard life circumstances. During the observation, the sexually-confused Kamel falls in love with the young woman, but realizes the imminence for Touria and Pipo too late.