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90 Day Pillow Talk Before the 90 Days - (Jan 27th)
Sister Wives - (Jan 27th)
Ice Road Rescue - (Jan 27th)
Very Scary People - (Jan 27th)
90 Day Fiance- Before the 90 Days - (Jan 27th)
Home Town - (Jan 27th)
Homestead Rescue - (Jan 27th)
Snapped - (Jan 27th)
The Sunday Show with Jonathan Capehart - (Jan 26th)
Match of the Day 2 - (Jan 26th)
Deadline- White House - (Jan 26th)
Love Island- All Stars - (Jan 26th)
GRAND SUMO Highlights - (Jan 26th)
Saturday Kitchen Best Bites - (Jan 26th)
Sunday Brunch - (Jan 26th)
22 Kids and Counting - (Jan 26th)
The Great Pottery Throw Down - (Jan 26th)
Mystery Music Show- King of Mask Singer - (Jan 26th)
Perfect Match - (Jan 26th)
Call the Midwife - (Jan 26th)
Frustrating rendition of Mozart's masterpiece. The singers are all first-rate, and led by Lorin Maazel and the Orchestra of the Paris Opera. But the direction by Losey and his team is unfocused, and seems to care more about making some confused socio-political commentary, and not so much about telling a clear story. (For just one example, what in the world has Losey done to the sextet in Act 2? Does that scene make any sense?) In short, here you will find magnificent Mozart, and lousy Losey.
Met performances of Strauss’s white-hot one-act tragedy, which receives its first new production at the company in 20 years. Claus Guth, one of Europe’s leading opera directors, gives the biblical story—already filtered through the beautiful and strange imagination of Oscar Wilde’s play—a psychologically perceptive Victorian-era setting rich in symbolism and subtle shades of darkness and light.
Rusalka, a water spirit, lives with her family in the pure waters of the forest lake. When she falls in love with a Prince, she sacrifices her voice and leaves her home in the hope of finding true love in a new world – a world that does not love her back.
Mezzo-soprano Aigul Akhmetshina headlines a winning ensemble as the feisty heroine, Rosina, alongside high-flying tenor Jack Swanson, in his Met debut, as her secret beloved, Count Almaviva. Baritone Andrey Zhilikhovsky stars as Figaro, the titular barber of Seville, with bass-baritone Peter Kálmán as Dr. Bartolo and bass Alexander Vinogradov as Don Basilio rounding out the principal cast.
The Gershwins’ modern American masterpiece has its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles. Director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion, and heartbreak of its inhabitants.
Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day, in a contemporary American industrial town.
Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is betrothed to the Count’s servant, Figaro. Much to Figaro’s dismay, the Count plans to seduce Susanna on wedding night. Meanwhile, Cherubino, the Count’s young page, is infatuated with the Countess, but has just been dismissed after being discovered with Barbarina, the gardener Antonio’s daughter.
At a glittering party in 18th-century Paris, the poet Andréa Chenier delivers an impassioned denunciation of Louis XVI. Five years later, the Revolution has given way to the Terror, transforming the power balance between Chénier, his beloved Maddalena, and Gérard, the man who could destroy him...
In a village in a country far away, the community live well and support each other. But when civil war breaks out this idyll of existence is devastated as the community is broken and homes destroyed. We follow the fortunes of a father, mother and their three teenage children – Leto, Mati and Tana – who face this brutal reality together. They are confronted with impossible choices in order to survive. They must leave their homeland and undertake a perilous journey to safer shores. Along the way they will be separated from each other and have to persevere alone.
The innocent Candide discovers that human beings aren't all they are cracked up to be and ultimately focuses on building his own life on his own terms.
The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.