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Okay, I get it: I have seen many critiques about this movie relying upon inaccurate science and featuring plot holes here and there. I admit to a bell going off in my head when our main hero Augustus seems to exhibit no death-like characteristics after diving into frigid arctic waters. But I have a tendency to suspend my disbelief in science fiction movies if the characters, the dialogue and the general story keep my interest. What kept me connected to the action was not the spaceship stuff, but rather the faltering, slowly developing interaction and relationship between Augustus and Iris, the girl left behind during the evacuation. It is handled patiently and believably. I found myself quite invested in them becoming close. (And I am setting aside the odd hints that Iris might not even exist outside Augustus’s own mind.) The scenes on board the spaceship Augustus is trying to contact were less compelling for me. My, those folks were consummate professionals, weren’t they? They bantered back and forth, but where were their emotions for the most part, except under extreme duress? Besides Maya, I wouldn’t have been shocked to learn they were androids. The Midnight Sky was entertaining enough to keep my interest, but it seemed to leave several questions in my mind, not the least of which was: it is well and good to send Adam and Eve to populate a new planet, but outside of serious incest, how are they to get past the first generation?
In late 19th-century Sicily, the noble Uzeda family—whose lineage dates back to the ancient viceroys that ruled those lands—fights to preserve its waning power in the face of the newly unified Italian regime.
Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.
Karsten Aslaksen, chief engineer of a large chemical company, disappears without trace. His married lover, a successful politician named Vibeke Farang, approaches private investigator Varg Veum to track him down discreetly.
The adventures of a blind, gambling masseur and master swordsman. Zatoichi targets a yakuza-controlled village, because war with a neighbouring town's smaller gang is brewing.
Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.
Mame Dennis, a progressive and independent woman of the 1920s, is left to care for her nephew Patrick after his wealthy father dies. Conflict ensues when the executor of the father's estate objects to the aunt's lifestyle and tries to force her to send Patrick to prep school.
A movie for the Sci Fi Channel based on the book series by Philip José Farmer. The location is Riverworld, a mysterious and treacherous land where every human who died between the years 99,000 BC and 2,200 AD has been resurrected on the banks of a huge river.
When a group of astronomers calculate a star is on a course to slam into Earth, a few days before, it's accompanying planet will first pass close enough to the Earth to cause havoc on land and sea. They set about building a rocket so a few selected individuals can escape to the planet.
A group of Anglican nuns, led by Sister Clodagh, are sent to a mountain in the Himalayas. The climate in the region is hostile and the nuns are housed in an odd old palace. They work to establish a school and a hospital, but slowly their focus shifts. Sister Ruth falls for a government worker, Mr. Dean, and begins to question her vow of celibacy. As Sister Ruth obsesses over Mr. Dean, Sister Clodagh becomes immersed in her own memories of love.
In the year 2074, the cybernetics market is dominated by two rival companies: USA's Pinwheel Robotics and Japan's Kobayashi Electronics. Cyborgs are commonplace, used for anything from soldiers to prostitutes. Casella Reese is a prototype cyborg developed for corporate espionage and assassination. She is filled with a liquid explosive called Glass Shadow. Pinwheel plans to eliminate the entire Kobayashi board of directors by using Casella
A young hapless couple's devotion for each other is tested through harsh times of war as they are forced to negate patriotism and dependability to their families and nations, for a length of a lifetime before during and after the war. This movie is not a colorfull. About 5 years later, this movie was shot again wtih same actors and actresses (except for Selda Alkor).