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In typical De Sica fashion, it ends on a rather cynical note (and it has this dismal undercurrent throughout), but its bleak and honest message is unfortunately obscured and smothered by the rather schmaltzy acting and uneven script. De Sica is widely recognized as of the leading filmmakers that broke through 'filmic norms', so to speak, by hiring non-professional actors as a way to convey a level of authenticity and realness that are often indistinct in most other films. Especially those that deal with the ideas of economic hardship, a collapse in social order, and the dilapidation of post-WWII Europe. It worked impeccably in "Bicycle Thieves" and "Umberto. D", two of De Sica's most prominent work, but ultimately failed here.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.
Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster's daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.
West Texas, in the 1960's. A tale of two 12-year-olds who embark on an adventure to find new parents in order to escape their unhappy and emotionally unsatisfying family life.
Lucas Simons, an 11-year-old filmmaker, is obsessed with death after the loss of his brother. When Lucas accidentally captures a mysterious presence in one of his films, he inadvertently becomes a YouTube phenomenon, and must learn to live life in the spotlight while also learning how to once again start living life to its fullest.
This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...
Artist Charles Ryder runs into aristocrat Julia Flyte and recalls his friendship with her eccentric family prior to the outbreak of the Second World War. Based on the classic British novel by Evelyn Waugh.
As a 13-year-old, fledgling writer Briony Tallis irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit.
The lives of Ted and Marion Cole are thrown into disarray when their two adolescent sons die in a car wreck. Marion withdraws from Ted and Ruth, the couple's daughter. Ted, a well-known writer, hires as his assistant a student named Eddie, who looks oddly similar to one of the Coles' dead sons. The couple separate, and Marion begins an affair with Eddie, while Ted has a dalliance with his neighbor Evelyn.
Giovanni currently lives a dreary life of near non-stop work. At school, his peers ridicule him incessantly, and his employer at work is distant and cold. As his isolation from society becomes unbearable, he suddenly finds himself on a train heading far away from his miserable home. Accompanied by Campanella, an acquaintance from school, Giovanni embarks on a journey that will define the rest of his life.
Innocence, sex and lust converge to tell the story of Guille, a teenager who seeks himself through others.
Based on the true story of Lindy Chamberlain who, during a family camping trip to Ayers Rock in central Australia, claimed she witnessed a dingo take her baby daughter, Azaria, from their tent. Azaria's body was never found and, after investigations and two public inquests, she is charged with murder.