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When a recently slain body is dumped at the entrance to the police station, it falls to "Lt. Carson" (William Gargan) to get to the bottom of things. Snag is, he thinks he has his culprit then the body disappears, the clues seem to conflict and he seems to be back at square one. Might the sassy "Janet Bradley" (Carol Landis) be behind it all? Well, sadly, Otto Brower doesn't really provide us with very much to get our grey matter stimulated. Gargan always was exceptionally mediocre and even with the presence of the usually lively Miss Landis, and some attempts at humour now and again, this still lurches along as a sort of breadcrumb following cop-noir with a few red herrings and not much else as we spend twenty-four hours looking for the perpetrators - dead and/or alive! It only lasts an hour, and is reasonably well stitched together to pass a wet Saturday afternoon - and it does make a sly dig at the integrity (or lack of) of police, media and their respective priorities and paymasters, too. You won't remember it afterwards, but it just about holds the attention while it is on.
After a whirlwind romance in Mexico, a beautiful heiress marries a man she barely knows with hardly a second thought. She finds his New York home full of his strange relations, and macabre rooms that are replicas of famous murder sites. One locked room contains the secret to her husband's obsession, and the truth about what happened to his first wife.
A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
After being hired to find an ex-con's former girlfriend, Philip Marlowe is drawn into a deeply complex web of mystery and deceit.
Locked in her cell, a murderer reflects on the events that have led her to death row.
After being found wandering the streets of Los Angeles, a severely catatonic woman tells a doctor the complex story of how she wound up there.
Tells the story of one day in the lives of the various people who populate a police detective squad. An embittered cop, Det. Jim McLeod, leads a precinct of characters in their grim daily battle with the city's lowlife. The characters who pass through the precinct over the course of the day include a young petty embezzler, a pair of burglars, and a naive shoplifter.
War heroes Rip Murdock and Johnny Drake are sent to Washington, D.C, to receive top honors for their service. Johnny, seemingly terrified by the publicity that awaits him, jumps off the train and later turns up dead. Suspecting foul play, Rip begins digging into his pal's past. He encounters cover-ups, threats to his own life and deadly femme fatale Coral Chandler.
A young detective must navigate the a relationship with a mysterious Women while he investigates a crime she may have been part of.
Centring on the activities of a gang of assorted criminals and, in particular, their leader – a vicious young hoodlum known as "Pinkie" – the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.
A belligerent hitwoman navigates a world of cutthroat killers as she attempts to get the money together in order to escape to Mexico and open a bar.
