I Like Me

In 1972, disenchanted about the dreary conventions of English life, 25-year-old Julia heads for Morocco with her daughters, six-year-old Lucy and precocious eight-year-old Bea.

A former child star torments her paraplegic sister in their decaying Hollywood mansion.

Carlo, a former mobster, is abducted by five privileged young men desperate to raise a $2 million ransom to save the sister of a friend. As Carlo plays mind games, however, his captors splinter - each wondering whether one of their own had a hand in the crime.

The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for human connection.

Arriving in Chicago, Henry moves in with ex-con acquaintance Otis and starts schooling him in the ways of the serial killer.

A young screenwriter visits her sister for inspiration, a decision that brings only pain and disaster.

Just after a bad breakup, Charlie MacKenzie falls for lovely butcher Harriet Michaels and introduces her to his parents. But, as voracious consumers of sensational tabloids, his parents soon come to suspect that Harriet is actually a notorious serial killer - "Mrs. X" - wanted in connection with a string of bizarre honeymoon killings. Thinking his parents foolish, Charlie proposes to Harriet. But while on his honeymoon with her, he begins to fear they were right.

A look at a few chapters in the life of Poppy, a cheery, colorful, North London schoolteacher whose optimism tends to exasperate those around her.

Violinist Sydney Wells was accidentally blinded by her sister Helen when she was five years old. She submits to a cornea transplantation, and while recovering from the operation, she realizes that she is seeing dead people.

A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.