Reflections of Evil

In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs it over. Then a drawn lion chases a drawn girl, until it all becomes frightfully serious.

When the trail goes cold on a murder investigation of a policeman, an undercover narcotics officer is lured back to the force to help solve the case.

A married workaholic, Michael Newman doesn't have time for his wife and children, not if he's to impress his ungrateful boss and earn a well-deserved promotion. So when he meets Morty, a loopy sales clerk, he gets the answer to his prayers: a magical remote that allows him to bypass life's little distractions with increasingly hysterical results.

Sheffield, England. Gaz, a jobless steelworker in need of quick cash persuades his mates to bare it all in a one-night-only strip show.

A negative free and playful sitcom is hijacked by an entity daunting a pig mask, as it tears apart the mindless glee hiding the real horrors.

Experimental feature about two young men trying to make a film.

Noman, a homeless outsider in the big city, tells his story of a disconnected world. Dedicated to those who feel like they aren't seen. We see you. We feel for you. We understand you.

An ahistorical re-enactment of the strange and curious events that led up to the untimely demise of our nation’s sixteenth president.

“A deadpan video art reworking of 1982's highest-grossing movie, EXTRA TERRESTRIAL peels away layers of sentimental narrative goo from its source, exposing a hard core of anxiety, loneliness and dread. Shifting the focus from character to interior, Ben Russell and Rhyne Piggott mine the landscape of a beige-carpeted ranch style house for new insights into the architecture of suburban alienation.” - Anne Reecer, Cinematexas

Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.

To prevent himself from going insane in isolation, a young filmmaker conjures up an idea about a demented experimental director who tries to convince his harshest critic to enjoy his work.