War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
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Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Half decent action-thriller though the dialogue was poor and the performance by the lead henchman (played by William Moseley), a proxy antagonist with Gary Oldman's character under "house arrest", was awful and came across as a whiny bitch than anything intimidating. On the plus side, I did like both Olga Kurylenko and Amit Shah, and Oldman for his part, which he likely filmed all of his scenes in one day, had his moments, at least. The fight choreography wasn't bad and did like they avoided using CGI blood splatter too much and used actual squids instead. All in all, it wasn't terrible and served as a passable action-thriller. **3.0/5**
Olga Kurylenko almost makes it work. Almost. 'The Courier' makes for disappointing viewing, there isn't an element of it that I personally could file under 'good'. The aforementioned Kurylenko does try and her character is almost cool enough to make things watchable, but ultimately it's just all unconvincing. The, for the most part, one location is also an hindrance, for both Kurylenko's side of the story and for Gary Oldman's bit. Oldham's character is very lame, I at least had minimal interest in watching the lead but everything involving Mannings utterly bored me, to be honest. The iffy performances from Amit Shah and William Moseley don't help events either, while any Dermot Mulroney fans will be unhappy as that man gets a minuscule amount of screen time; I know it's none of my business, but I would be fascinated to see how much he got paid for this. The editing is also quite whiplash-y, particularly across the opening half of the movie. The music is OK, if only due to the opening and closing credits. Safe to see, this title got served far greater stuff from the 2020 namesake with Dominic Cooke and Benedict Cumberbatch!
An oil platform dramatically goes down on the Norwegian coast, and researchers try to find out what happened when they realize this is just the start of something even more serious.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
Edward Wilson, the only witness to his father's suicide and member of the Skull and Bones Society while a student at Yale, is a morally upright young man who values honor and discretion, qualities that help him to be recruited for a career in the newly founded OSS. His dedication to his work does not come without a price though, leading him to sacrifice his ideals and eventually his family.
Scotland Yard investigators have to prevent the murder of Victoria Dickman when her name is found on a death list.
Childlike Englishman, Mr. Bean, is an incompetent watchman at the Royal National Gallery. After the museum's board of directors' attempt to have him fired is blocked by the chairman, who has taken a liking to Bean, they send him to Los Angeles to act as their ambassador for the unveiling of a historic painting to humiliate him. Fooled, Mr. Bean must now successfully unveil the painting or risk his and a hapless Los Angeles curator's termination.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.
A mentally disturbed man takes residence in a halfway house. His mind gradually slips back into the realm created by his illness, where he replays a key part of his childhood.
After being wrongfully expelled from Harvard University, American Matt Buckner flees to his sister's home in England. Once there, he is befriended by her charming and dangerous brother-in-law, Pete Dunham, and introduced to the underworld of British football hooliganism. Matt learns to stand his ground through a friendship that develops against the backdrop of this secret and often violent world. 'Green Street Hooligans' is a story of loyalty, trust and the sometimes brutal consequences of living close to the edge.