American Born Asians

AJUMMA! Are you krazy??? is a zany comedy that follows the misadventures of three Korean drama fanatics. Fueled by their schoolgirl hormones, the hopelessly romantic Ajummas, Judy (Thea Matsuda), the lovable and innocent heroine, Susan (Tessie Magaoay) the gruff-tough one, and Amy (Cari Mizumoto) the sassy tart, go on a hilarious journey to try and meet Korean super star Michael Park (Michael Hsia) by stealing his itinerary, breaking into his hotel room, and sneaking on to his music video set. Witty writing, a light-hearted story and a likable cast allow this short film to succeed in taking a humorous look at the K-drama phenomenon and what some ladies will do for a crush.

Pregnant again, Ali Wong returns to Netflix in her second original stand-up comedy special and gets real on why having kids is not all it's cracked up to be.

A cafe is growing, tucked in to the mountainside air raid shelter of the DMZ borderlands. A light light flickers, illuminating the past, present, and future. I'll see you at the DMZ! Shim was a free, one-day pop-up cafe staged in Yangji-ri village’s air raid shelter at the Korean DMZ. Referencing Korean cafe culture’s fixation on third place, the DMZ’s evolution from security tourism, to ecological peace tourism, and its repurposing as art production site, Shim attempts to intervene and align the past and present. Yangji-ri was one of many minbuk propaganda villages established by the Park Chung Hee regime in the 1960s to showcase the farming bounty and prosperity of the south for a North Korean gaze. The village was formerly part of the Civilian Control Line (CCL) until 2013 when it was reterritorialized as a normal part of South Korea.

Ali Wong might be seven-months pregnant, but there’s not a fetus in the world that can stop this acerbic and savage train of comedy from delivering a masterful hour of stand-up.

Lady Ramboh finds her sister and her best friend on vacation, and the three of them spend the days having lots of fun. But the fun trip is ruined, when the girls are kidnapped and raped by the remaining traffickers. Lady Ramboh seeks revenge. She has a room full of grenade launchers to prove it.

In 1965, Patsy Takemoto Mink became the first woman of color in the United States Congress. Seven years later, she ran for the US presidency and was the driving force behind Title IX, the landmark legislation that transformed women’s opportunities in higher education and athletics.

In a typical Singaporean family of three, life is well and comfortable. Unbeknownst to them, the forgotten fourth member is feeling neglected and alone. The only comfort she finds lies in her grandson.

The story of four young people, ShinAe Ahn who is transgender, and three others, pan-sexual, gay, and lesbian respectively, who are fed up with the oppressive and authoritarian conservative government and its influence on the country. ShinAe Ahn decides to run for the office of prime minister, with the help of her friends and supporters. She meets a lot of caring people, and also a lot of haters. The current Prime Minister is not at all tolerant of the LGBTQIA+ community and is trying his hardest to stop any party that does not follow the orders of the conservative government from running without any logical reason to do so. That creates a political divide within the country, as politicians will attack anyone who is and/or who acts differently, or who stands up for people/themselves who they personally don't like. This story however is being told after the fact, a few years after the election, when ShinAe won as prime minister.

An aging Chinese immigrant is swept up in an insane adventure, where she alone can save what's important to her by connecting with the lives she could have led in other universes.

When a Chinese-Canadian college student returns home to Toronto, she visits a Hong Kong cafe she frequented during her childhood. Through eating the food, she is suddenly able to relive suppressed memories of her deceased grandmother. Now she must confront their multifaceted relationship and her own identity to find her peace.

We see a rock. It transcends languages and cultures. It traverses time and space. Perhaps it has its own nature and memories.