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'The Prom' could have been something special like the show was on Broadway, but instead of listening to the message the show has about negative effect star-power and acceptance, the movie actively dodges those themes. Removing Corden doesn't fix this mess, but it would have been a start. I can't say I don't recommend it; these are great songs and sung well here. I would catch myself smiling at the musical numbers, and I haven't stopped listening to the soundtrack. The film's opening credits are just the actor's names in the logo font, and I got chills with the score and seeing that on the big screen, with Rannells and Kidman reason alone to watch, along with newcomer Pellman. I love musicals - they have an energy no other genre has, but the lesson from 'The Prom' is the same as 'Cats': make something that's not for the masses, but true to the story. Also, the movie gets Streep to rap in the credit's song, and that's honestly amazing. - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-the-prom-the-good-the-bad-and-the-james-corden
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I really love musicals, but Netflix's attempt at a cheerful, joyful, colorful, and culturally significant film turns out to be one of the most cringe-worthy, awfully stereotypical, ridiculously exaggerated movies of the year. From the astoundingly over-the-top (and honestly, somewhat insulting) performance from James Corden and Jo Ellen Pellman's one-dimensional debut to the contradictory narrative, Ryan Murphy's first feature film since 2010's Eat, Pray, Love is a massive disappointment. The Prom is supposed to celebrate equality by supporting an inclusive prom where everyone can go and feel comfortable being themselves. However, it restrains itself from showing a homosexual kiss or really any sort of intimacy, leaving that to the very last second of the movie, but it doesn't have any problems in fully developing a heterosexual relationship meanwhile. The breaking out into songs (which are a bit too many) mostly feels incredibly forced, making the whole film look more like a collection of sketches than an actual movie. A few excellent performances (Meryl Streep, Nicole Kidman, Andrew Rannells, Keegan-Michael Key), a couple of quite entertaining musical numbers, some nice choreography and camera work (Matthew Libatique), and an admittedly ambitious production design save this film from being a complete trainwreck, but it's still a disaster. Rating: D+
Sofia's story, the best chef the world, and the two men who helped her to become a legend.
Two vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.
When Apollo and Selene met in a star lit room, they would have never guessed how they would face the struggles of love and humanity. Through dramatic twists and turns, the universe creates them, confusion awaits them.
Questions about the identity of an amnesiac threaten his romance with the park ranger who rescued him.
The Herdmans – Gladys, Claude, Imogene, Leroy, Ollie and Ralph – are undeniably the worst kids in the history of the world. They lie, steal, cheat, bully and overall terrorize their small community. But this Christmas, they’re taking over their local church Pageant – and they just might unwittingly teach a shocked little town the true meaning of Christmas.
Bruno, a young Frenchman, is frustrated by his girlfriend's constant lack of punctuality. He decides to end their relationship the next time she is late again.
The coastal California community of Rock Haven is the perfect place for cute eighteen-year-old Brady and his loving mother to begin a fresh start. Their mission: to spread the word of the Lord. But while roaming the beach one day, Brady meets Clifford, a young man who is the complete opposite of him: outgoing and athletic as well as incredibly handsome. Their initial encounter stirs up feelings of homo desire that Brady has been suppressing. Once Clifford makes it clear that their attraction is mutual, Brady's conflicting feelings of religious obligation and natural impulse go into overdrive, and the two young men must navigate their confusion, lust and beliefs in order to come to a mutual understanding.
Vera and Tim are successful young professionals. Everything changes one night when Tim hits a young Kalmyk immigrant to Moscow, Uloomji, with his car. The two men begin a affair while Vera struggles to comprehend their bond and her boyfriend's erratic behavior. She is dragged reluctantly into a love triangle.
Wyatt, a cynical narcoleptic who lives in a flop house-like apartment, wants to be a journalist. His career dreams are nearly dashed when he notices a mysterious girl named Fern living on his block in an 88' Toyota Tercel hatchback. Fern's father went missing and assumed dead when she was a young child living in Montana. After receiving a cryptic letter from a stranger named Dr. Green, telling her that her father is alive and living in LA, she decides to go look for him herself. Together the two set off on a journey to find Fern's elusive dad among the derelict corners of the city, while developing a not so platonic interest for each other along the way.
Gangsters smuggle diamonds through customs by embedding them in The Spiders' tambourine, then go on a cross-country chase of the rock-and-roll band in order to get them back. Another gang is searching for something The Spiders have, too, and now the two gangs are willing to kill to get it, with the boys caught in the middle!