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There's something distinctly Churchillian about Jim Broadbent's rather engaging performance as the 23rd Earl of Leete. His rather grand exposé of their country estate (in front of an instantly recognisable Highcere) begins with the traditional "held in trust" kind of monologue, then the peer gradually drifts into a bit of familial character assassination that depicts his mother as a cough-medicine addict, his father as a rather stupid bully, and his elder brother - and the heir apparent - as a raging homosexual (even if he was 11 years old!). Anyway, with the estate in dire straits and his brother unlike to procreate, this seven year old Lord decides to dispose of his brother. Pigeon and rabbit shooting was a popular family pastime, so we now get a fairly graphic and detailed description of just what happened (think "Kind Hearts and Coronets") before continuing, seamlessly, with chat about the growth of the estate after the reformation under the 6th Earl and then a brief conversation with one of his tractor driving serfs! More family tragedies ensue and the narration becomes even more darkly humoured as we venture into his own WWII not so conscientious objections and his, qualified, support for the organisational genius that was Hitler! How to expand the estate? Well that's where marriage comes in. No sentiment, just acreage and knowing which fork to use! Finally, and this is where it comes off the rails a bit, he falls in love with a stable lass and decides that his homicidal tendencies needed honing again. Broadband's efforts and his pithy writing marries the pompous and the comedic excellently here, and his proud historical speechifying is expertly contrasted by his rants and his sense of privilege. He kept the bastards out! A must see, this.
A young llama named Koro discovers that the grass is always greener on the other side (of the fence).
The film tells the back story about the characters and events leading up to the explosive oil truck heist in Fast & Furious.
A scarce and seldom seen cartoon from 1937 with excellent hot jazz and containing caricatures of Cab Calloway, Ted Lewis and Bessie Smith.
The ultimate manual when it comes to the proper handling of the living dead. Recommended behavioural patterns in case of imminent Zombie epidemics are explained in comprehensible steps and vividly executed.
The Farmer is abducted by a capering Jungle Goddess. As pre-Code as a Terrytoon ever got. Most animation is by Frank Moser; with him are Art Babbitt, Jerry Shields, Bill Tytla and others.
My Friend Friedrich opens on awkward, bespectacled Columbia student Nate having a heart to heart on the phone with his mother. Then, in a philosophy class, he almost succeeds in landing a date by lobbing an illustrated invitation at his love interest, Emma. All goes awry when a taller, more confident, bespectacled Columbia student cuts him off at the knees. So far, so very New York student film, but a conceit arrives to distinguish this story of Ivy League dating woes: the ghost of Friedrich Nietzsche appears before Nate to guide him towards self-actualization.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
A series of trick film hallucinations and scary doubling effects result when Patachon smokes an opium cigarette.
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
