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Hvem går det? The Thing is directed by Matthijs van Heijningen Jr. and adapted to screenplay by Eric Heisserer. It's based on the novel "Who Goes There?" by John W. Campbell and is a prequel to "John Carpenter's The Thing" from 1982. It stars Mary Elizabeth Winstead, Joel Edgerton, Ulrich Thomsen, Eric Christian Olsen and Adewale Akinnuoye-Agbaje. Music is by Marco Beltrami and cinematography by Michel Abramowicz. Antartica, 1982, and scientist Kate Lloyd is requested to investigate something strange at a Norwegian base station. By accident the Norwegians have discovered what appears to be an alien craft frozen beneath the ice. Their thoughts prove to be correct and they are rightly celebrating a magnificent discovery, particularly as there appears to also be a frozen being in the ice. But it's not long before everyone at the base begins to regret unearthing the being... No serious John Carpenter fan wanted this film, it wasn't needed or required. His 1982 film is an awesome slice of sci-fi horror, a remake itself of a very good film, "The Thing from Another World" (Howard Hawks 1951), Carpenter flipped the scenario around from Hawks' movie to great effect. Paranoia and creeping dread blended with amazing beasties to make for what many feel is one of the ultimate sci-fi horror movies going. So why remake it then? Well, we are told by Heijningen Jr and his team that this is a prequel to Carpenter's movie, asking the big questions such as just what happened at the Norwegian base station before Kurt Russell's manly mob got there? Making this a sort of filling in the blanks session. Not a bad idea at all is that, something good to work from, even if we know from the beginning of Carpenter's movie just how many Norwegian's survived! Now the problem here is that it may be a prequel, and attention to detail in scenes linking both films together is rather ace, but it's devoid of freshness, the makers pretty much following the exact same formula of Carpenter's film. Cue a group of scientist types getting spooked by something ghastly stalking them, cue one by one them getting offed in grizzly ways by an assimilating menace and cue paranoia and suspicion. They even put in the test sequence from 82, only with a metal slant instead of blood, while the creatures are the same only bigger in body horror terms and budget. Instead of Kurt Russell's mighty machismo, we get Winstead's spunky lady (she's the one without the face fuzz here), but it's the same old same old routine, only for the "Scott Pilgrim" crowd. When all is said and done, this is pretty much a remake of a far far better film. Yet for all that is annoying and unadventurous about it, it's still a bunch of fun, the director is capable in having us wonder what is around the corner, utilising the cramped interiors for maximum fret. The various creatures born out of the Thing itself are monstrous, especially the two headed one which we see horrifically birthed, and even though the CGI is there, with some of it poor, much of it is blended with practical work and the human actors to stop it from being "all" about the effects. It's also nice to report that there is undeniably love and respect for the 82 cut. Leading cast performances are efficient, but Winstead is just too young and looks out of place, she does not, however, fail for lack of effort to make her thinly written part work. Bonus is the Norwegian actors adding some intense character dynamics to the plotting. Beltrami's score nods appreciatively to Morricone's original, and on Blu-ray Abramowicz's steely coloured photography really pings out of the screen. In an alternative universe where there is no John Carpenter film, this would be a well regarded entry into the creature feature stable. With enough shocks and squirmy screams delivered for the genre eager crowd. But unless you are someone who hasn't seen Carpenter's superior movie, then this will feel like a shallow imitation, just like, ironically enough, one of The Thing's assimilated humans. A generous 7/10 from me because I did have fun watching in the privacy of my own home with the lights off. Other Carpenter fans, though, are most likely to start rating from my 7 and work backwards I feel...
**_More of the same with a female protagonist, but well done_** An American paleontologist (Mary Elizabeth Winstead) is recruited by a doctor and his assistant (Ulrich Thomsen and Eric Christian Olsen) to travel to a Norwegian base in Antarctica to examine a colossal craft buried under the ice and a nearby frozen specimen. They bring the latter into the base; big mistake. “The Thing” (2011) is a prequel to the Kurt Russell movie from 29 years prior. The ending fittingly paves the way for the 1982 film, which featured an all-male cast. This one attempts to “fix” that arguable issue with the inclusion of Winstead and another female character, but I wouldn’t look for romantic complications because this flick runs 6 minutes shorter than the ’82 film and so only has time to focus on the life-or-death challenges of the remote station. It's basically a re-do, just with a female protagonist à la “Alien” & “Aliens.” The laughable torso jaws return, but this shows faithfulness and consistency. The ’82 film is revered by devotees so this movie was never going to measure up in their eyes. However, it’s pretty much on par and I appreciate the presence of Winstead, plus it does do something different in the last act that I’m not going to give away. The film runs 1 hour, 43 minutes, and was shot at Pinewood Toronto Studios near the shore in Port Lands, as well as nearby Stouffville and the Canadian Forces Base in Trenton, the latter of which is a 2-hour drive east of Toronto. Exteriors were shot in British Columbia. GRADE: B
Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity's greatest potential-only those who can conquer their fear will survive.
In addition to the two-part television version of the film, a shorter version was installed to show the film, entitled “Sherlock Holmes in the 20th Century.” In this installation version, in particular, the entire plot of the story “Bruce-Partington Drawings” was deleted. A film version was released before the premiere of the full (two-part) television version of the film.
In a poor Estonian village, a group of peasants use magic and folk remedies to survive the winter, and a young woman tries to get a young man to love her.
A nurse taking care of her daughter's mysterious affliction struggles to hide her secrets when uninvited strangers take shelter in her house during a lethal blizzard.
A post-apocalyptic tale, in which a lone man fights his way across America in order to protect a sacred book that holds the secrets to saving humankind.
Columbus has made a habit of running from what scares him. Tallahassee doesn't have fears. If he did, he'd kick their ever-living ass. In a world overrun by zombies, these two are perfectly evolved survivors. But now, they're about to stare down the most terrifying prospect of all: each other.
Quiet, withdrawn 13-year-old Rynn Jacobs lives peacefully in her home in a New England beach town. Whenever the prying landlady inquires after Rynn's father, she politely claims that he's in the city on business. But when the landlady's creepy and increasingly persistent son, Frank, won't leave Rynn alone, she teams up with kindly neighbor boy Mario to maintain the dark family secret that she's been keeping to herself.
Jennifer, a gorgeous, seductive cheerleader takes evil to a whole new level after she's possessed by a sinister demon. Now it's up to her best friend to stop Jennifer's reign of terror before it's too late.
A pair of young vacationers are involved in a dangerous conflict with treasure hunters when they discover a way into a deadly wreck in Bermuda waters.
In the early hours of the night, young David Maclean sees a flying saucer land and disappear into the sand dunes just beyond his house. Slowly, all of the adults, including his once loving parents, begin to act strangely.
The family man farmer John Rollins is stressed with his financial situation: the crows and the lack of irrigation are destroying his crop of corn; the bank is near closure of his mortgage; he does not have credit to fix the water pump or to buy seeds; and his marriage is in crisis and his wife Mary is giving too much attention to her friend Tommy. When John accidentally discovers a hidden compartment in the barn, he finds a creepy scarecrow but his son Michael makes him promise to destroy it. However, his neighbor Jude Weatherby visits him, gives a six-pack of beer to the abstemious John and convinces him to put the scarecrow in the cornfield. Out of the blue, the life of John changes: the crows die; the pump works again irrigating the land; and the banker responsible for the closure has an accident and dies. However, he feels that his land is possessed by something evil that is threatening his beloved family.