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A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
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Companion 2025 - Movies (Jan 31st)
The Fabulous Four 2024 - Movies (Jan 31st)
Homestead 2024 - Movies (Jan 31st)
Piglet 2025 - Movies (Jan 31st)
Absolution 2024 - Movies (Jan 31st)
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Dark Match 2024 - Movies (Jan 30th)
Omni Loop 2024 - Movies (Jan 30th)
Maurice And I 2024 - Movies (Jan 30th)
The Club That George Built 2024 - Movies (Jan 30th)
Heretic 2024 - Movies (Jan 30th)
Wicked 2024 - Movies (Jan 30th)
The Line 2024 - Movies (Jan 30th)
The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Teen Mom- The Next Chapter - (Feb 1st)
The Uncanny Counter - (Feb 1st)
The 11th Hour with Stephanie Ruhle - (Feb 1st)
Penn and Teller- Fool Us - (Feb 1st)
Masters of Illusion - (Feb 1st)
Dateline - (Feb 1st)
Cold Case Files - (Feb 1st)
After Midnight - (Feb 1st)
The Chase - (Feb 1st)
Fox and Friends - (Feb 1st)
Gutfeld - (Feb 1st)
Outnumbered - (Feb 1st)
The Five - (Feb 1st)
The UnBelievable with Dan Aykroyd - (Feb 1st)
Cold Case Files- Murder in the Bayou - (Feb 1st)
Wheres Wanda - (Oct 2nd)
The Bay - (Oct 2nd)
Seoul Busters - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
The Young and the Restless - (Feb 1st)
So there are five hikers gadding about amongst the beautiful redwood trees when they, quite literally, stumble into an abandoned mine. It's a gold mine - and there is still some left for them to plunder. Cloud nine is where these kids are heading until an earth tremor sees poor old "Donna" (Sage Mears) trapped under a rock. The remaining four must now prioritise her escape before shock or worse sets it - or maybe they should just carry on digging out the gold? Personally I know what I'd do, as this group of rather venal and shallow characters make maximum use of a fairly pathetic script and a weak storyline to eek this out for almost ninety minutes of mediocre cinema. As an adventure it really fails to ignite and the angsty melodrama that auteur Dean Yurke imposes on us is little better than nicely photographed, barely audible, frequently hysterical, drivel. Maybe the gold was cursed? Maybe the viewer was too?
