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The 11th Hour with Stephanie Ruhle - (Feb 26th)
The Great House Revival - (Feb 26th)
Married at first sight - (Feb 26th)
The Real Housewives of Lagos - (Feb 26th)
Hard Quiz - (Feb 26th)
Australian Survivor - (Feb 26th)
Watch What Happens Live with Andy Cohen - (Feb 26th)
Deal or No Deal Island - (Feb 26th)
Big Miracles - (Feb 26th)
Tribunal Justice - (Feb 26th)
Two Ways With Erica Mena - (Feb 26th)
Help Im in a Secret Relationship - (Feb 26th)
Love and Hip Hop Atlanta - (Feb 26th)
Highway Thru Hell - (Feb 26th)
Rocky Mountain Wreckers - (Feb 26th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Seoul Busters - (Oct 2nd)
Guys like Smitty they don't make anymore! Whispering Smith is directed by Leslie Fenton and co-adapted to screenplay by Frank Butler and Karl Kamb from Frank H. Spearman's novel. It stars Alan Ladd, Robert Preston, Brenda Marshall, Donald Crisp, William Demarest and Frank Faylen. Music is by Adolph Deutsch and cinematography by Ray Rennahan. Famed railroad detective Whispering Smith (Ladd) becomes conflicted when his latest case pits him up against one of his best pals. It's somewhat surprising to find Whispering Smith is not more well known, given that it's Ladd's first full length Western feature and that it's really rather good. With its opening scene of Ladd riding towards camera, with glorious landscape in the background, and the thematics of how Smith operates around women and children, this signposts towards Shane five years down the line. In fact this very much works as a tasty appetiser for that superb 1953 picture. Ladd cuts a fine figure as Smith, giving him the right amount of calm toughness so as to not over play the role, and Preston is on fine form, very ebullient and able to act heaps with only his eyes. Marshall on the surface doesn't impact greatly, in what is a key role, but the character is very shrewdly written and sits in the story as more than a token. The villains headed by Crisp are not very inspiring, while Faylen looks laughably out of place with a blonde wig!, but with Preston erring on the side of badness the good versus bad axis of plotting thrives well enough. Pic is filled with a number of shoot-outs, banditry and awesome locomotive action, all set to the backdrop of beautiful - Technicolor enhanced - California locales. The running theme of railroad progression in the West is interestingly written, managing to not take sides and let the viewer enjoy both sides of the coin, though a moral equation that Smith ultimately arrives at doesn't quite add up. Add in Fenton's unfussy direction, Rennahan's location photography (see also night sequences) and Deutsch's pleasingly compliant score, and Western fans are good to go. This doesn't pull up any tress or have the psychological savvy of what many Oaters of the next decade would explore, but it's very well mounted and engages from the get go. 7/10
An agent searches for a psychopath guilty of robbery and murder, and falls in love with a murder victim's sister.
A piece of writing with real danger and which focuses on a mysterious mafia of violent Viet Nam Vets living on freight trains who are akin to Hell's Angels without the Harley. The net is closing since they are being pursued by relentless railroad agents. They may be a repugnant set of people and the film will disturb and provoke the audience that sees it but it follows what John Steppling (also writer of '52 Pickup' directed by John Frankenheimer w/ Roy Sheider and Ann Margaret and 'Animal Factory' directed by Steve Buscemi w/ Willem Dafoe. Mickey Rourke. Ed Furlong) believes - 'Art is not your friend'.
A tough cop meets his match when he has to guard a gangster's widow on a train journey from Chicago to Los Angeles.
Tom Logan is a railroad detective who takes it upon himself to halt the activities of his crooked brother Duke. Duke and his henchman have stolen an entire gold train, including the passengers......
Jack Manning (Tim McCoy) arrives in a midwestern town from Gold Creek in Califonia. He brings a message from Goerge Woods (Francis Ford) to his brother Tom Woods (Francis Ford), in a dual role, and niece Mary (Allene Ray, informing them he has struck gold and asking them to join him in California via a wagon train. Jack and Mary fall in love to the great displeasure of Rance Carter (Wilbur McGaugh) who has a yen for Mary himself. Jack and Mary not only have to be wary of Carter's crooked ways and machinations, but also of Indian uprisings, caused by Carter.
At the height of the frontier era, a train races through the Rocky Mountains on a classified mission to a remote army post. But one by one the passengers are being murdered, and their only hope is the mysterious John Deakin, who's being transported to face trial for murder.
When brash Texas border officer Mike Norton wrongfully kills and buries the friend and ranch hand of Pete Perkins, the latter is reminded of a promise he made to bury his friend, Melquiades Estrada, in his Mexican home town. He kidnaps Norton and exhumes Estrada's corpse, and the odd caravan sets out on horseback for Mexico.
Steve McGowan has proposed to avenge the death of his father, murdered by one of the followers of Chief Miller. This engages the services of a famous gunslinger called Sabata and instructs him to kill Steve. The fate joins Steve and the Mexican bandit Leon Pompero, and together they decide to defeat the murderous gunman.
In this musical short, Cliff Edwards and his cowhands run a struggling dude ranch. When a pretty girl arrives, Cliff believes she is an heiress.
In the midst of the Civil War, Lassiter has a plan to get control of California. Working out of St. Joseph, he plans to send forged messages to the troops on the west coast via Pony Express. First he attempts to bribe Pony Express ride Roy Rogers. When Roy refuses he turns to the outlaw Johnson and his gang and this leads to trouble.
A guitar-playing drifter helps a rancher's granddaughter find her true calling. They soon find themselves in the middle of a land war driven by quirky characters and magical realism.