D'une mère à l'autre

My Flesh and Blood is a 2003 documentary film by Jonathan Karsh chronicling a year in the life of the Tom family. The Tom family is notable as the mother, Susan, adopted eleven children, most of whom had serious disabilities or diseases. The film itself is notable for handling the sensitive subject matter in an unsentimental way that is more uplifting than one might expect.

It is normal for 15-year-old Linn to have two mothers. But when she finds out that there are still numerous siblings, she realizes that she is part of an extraordinary extended family. Her father Eike not only had an appointment with Linn's mothers to donate sperm, Petra and Anny also have three children with him. A film crew followed this rainbow family for twelve years.

Despite the warm images in the family archive, photographer and filmmaker Jonnah misses an intimate bond with her (adoptive) parents. Over the years, a wall has been built between them that Jonnah is now trying to break down with her parents.

Adopted from South Korea, raised on different continents & connected through social media, Samantha & Anaïs believe that they are twin sisters separated at birth.

New York, 1980. Three complete strangers accidentally discover that they're identical triplets, separated at birth. The 19-year-olds' joyous reunion catapults them to international fame, but also unlocks an extraordinary and disturbing secret that goes beyond their own lives – and could transform our understanding of human nature forever.

At age 25, Olivier Rousteing was named the creative director of the French luxury fashion house, Balmain. At the time, Rousteing was a relatively unknown designer, but in the decade since, he’s proven his business prowess and artistic instinct by leading Balmain to new heights. Wonderboy gives the viewer the rare opportunity to experience the inner sanctum of the fashion world, as we stand shoulder-to-shoulder with this extraordinary individual while he works.

When are you ready to find out who you really are? At the age of 10, adopted Russian children Grego and Alexa Ammon are rocked by the murder of their father Ted in the Hamptons by their stepfather Danny Pelosi. Soon afterwards, their mother Generosa died of cancer. Now twenty years old, they decide to unearth their roots in the Ukraine. Orphans made orphans again, seeking their identities because even reality doesn't seem real, 59 MIDDLE LANE is a deeply felt documentary that charts the human need to connect and the mysterious journey it takes to move from tragedy to joy.

Three million years ago, camels roamed through Greenland’s endless forests and our ancestors lived in the trees. It all came to an end with the Ice Ages. What died and what survived, as natural selection shaped the evolutionary tree during this epochal shift from hot to cold? Until now, scientists have known less about the natural world before the Ice Age than they did about the age of dinosaurs, which ended 64 million years ago. A new discovery is set to reveal this lost world, species by species. Led by Danish gene-hunter Eske Willerslev, a team of scientists for the first time in history is sequencing DNA from before the Ice Age. The picture that emerges is of a hot planet, when forests blanketed the Arctic and carbon levels matched those in our atmosphere today. Is this a portrait of our own climate future?

In the collective imagination, international adoption evokes images of children being saved from a life of destitution in poorer countries by being adopted by families in Europe or America. But the reality that has emerged is one of child trafficking, falsified documents and governments around the world turning a blind eye.

Questions of race, identity and heritage are explored through the lives of young American women growing up as adoptees from China. These four distinct individuals reflect on their experiences as members of transracial families.

Life Happens deals with the topic of abortion in a unique, personal and ultimately uplifting way. Director Ash Greyson, who was nearly aborted just months before the Roe vs Wade decision, sets out on a journey to find others like him. In the process he uncovers the divisive issues, eventually finds some common ground, and seals it all up with compelling first person stories from mothers and children who narrowly escaped abortion. While pulling no punches, he skillfully replaces rhetoric and religion with hope and heart in what may be the most approachable film ever created on the topic.