De Wereld volgens Monsieur Khiar

The work of Leiden professor Bastiaans on dealing with the trauma of war victims attracts the attention of filmmaker Louis van Gasteren. He decides to make a film about the psychotherapeutic treatment with LSD of a former concentration camp prisoner in the clinic of Bastiaans. Patient Joop is arrested in September 1941 and begins a long hellish journey through various camps, until he is liberated by the Russians. When he returns to his wife, he has become a completely different man. Joop suffers from nightmares and is incapable of normal human contact. With two cameras, Van Gasteren records approximately six and a half hours of the first treatment that Joop undergoes with Bastiaans (four more will follow later). Special attention is paid to details: Joop's hands, the sweat on his forehead, a tear running slowly down his cheek. Van Gasteren reduces the recordings to more than an hour.

In 1970s New York, photographer Martha Cooper captured some of the first images of graffiti at a time when the city had declared war on it. Decades later, Cooper has become an influential godmother to a global movement of street artists.

This film without words is composed of Pamela Bone's unique photograhic transparencies. Her talent has been said to 'push photography beyond its own limits, liberating it to the status of an entirely creative art form.' Inspired by nature, and being more responsive to feeling than to thought, Miss Bone has sought to express the mystery and beauty of the inner vision through photographic means alone: landscape has the quality of a dream; children on the sea-shore have a sense of their own enchantment, trees are forboding and strange when night moves in their arms. It took Miss Bone twenty years to find the right technique and so overcome the limitations that photography would impose.

Hundreds of boxes left by the famous uruguayan musician and political activist Alfredo Zitarrosa (1936-1989) who run away the dictatorship in the 70s, have not been touched since his death 27 years ago. Now his wife and daughters are trying to save the memories, tapes, music and sound recordings that the boxes contain to the posterity.

Short film about "Yuyanapaq", the photo exhibition of the armed conflict in Peru, at Casa Riva Agüero, Chorrillos, Lima-Peru.

Documentary about San Francisco photographer Michael Jang

The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

A documentary unraveling the untold stories and brutal experiences of the Kosovo War in the late 1990s.

A documentary about surrealist artist Salvador Dali, narrated by Orson Welles.

Winner of the Grand Jury Documentary prize at the Sundance Film Festival, Syrian filmmaker Feras Fayyad’s breathtaking work — a searing example of boots-on-the-ground reportage — follows the efforts of the internationally recognized White Helmets, an organization consisting of ordinary citizens who are the first to rush towards military strikes and attacks in the hope of saving lives. Incorporating moments of both heart-pounding suspense and improbable beauty, the documentary draws us into the lives of three of its founders — Khaled, Subhi, and Mahmoud — as they grapple with the chaos around them and struggle with an ever-present dilemma: do they flee or stay and fight for their country?