A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Leonardi's film about the Living Theatre is less concerned with a straight documentary presentation of the exile theatre group from New York, but rather is concerned with the specific atmospheric factor which is indicated by their name, and which constitutes the highly suggestive effect of their playing. Cutting, for Leonardi, is the most decisive aesthetic device. The result is a wonderfully composed furioso of pictures. The hand-held camera catches rehearsals, conversations without sound, bits of theatre and daily life actions (which, for Living Theatre people, is very often intermixed).
In 1961 Turin celebrated the centenary of the Italian unity with a large exposition which lasted from May till October of that year. One of the most popular exhibits was the 28 minute documentary ITALIA ´61 IN CIRCARAMA which was produced by the Walt Disney company and sponsored by the Italian automobile manufacturer Fiat. The spectacular views of this Cinerama tour of Italy (filmed with nine cameras) impressed more than two million visitors during the entire duration of that Turin Expo.
One of the greatest Hamlets of the 20th century Sir John Gielgud reflects on the play and its title character with which he used to be intimately associated for ever since 1929.
Tamara is from the ocean and water runs in her veins. Born in a fishing village on the Mexican coast, she became a full-time scuba instructor. When she discovers plastic in her beloved ocean, she sets out to get the diving industry to stop using single-use plastic.
Ricardo is an actor, driver, teacher, painter and a dancer at Sensible Soccers' shows. One day he forgets his signature dance move. Will he ever get it back? A film between documentary and fiction that immortalises a dance move present in the collective imaginary.
A short documentary about Father Christmas' annual six-day trek through the Australian desert aboard the Tea and Sugar Train.
Impressionist portrait of a landscape forged by tragedy. A ghostly wanderer among the vestiges of a story where 44 young soldiers and a sergeant were pushed to their deaths
The film uses a collection of post-World War II black & white photographs to portray the dockworkers of Marseilles, many of whom were of African descent. Set in and around a 1947 strike protesting weapons shipments to the French in Indochina, the images evoke the life and work of Senegalese filmmaker, Ousmane Sembène, a former dockworker, and one of the founding figures of the New African Cinema of the 1960s.
My debut short film - as I approached adulthood, I created this as a means of reflection towards adolescence and life. A poetic documentary about looking away from the past and being present in the beauty of life.
A short experimental tone-poem documentary that explores three stages of the gentrification of Seattle.