침묵의 장벽

In an intricate web of alliances and enmities, can one's adversary's adversary truly become an ally? And yet, what if that adversary happens to be the most notorious anti-Semitic criminal in history?

A self-described liberal from cosmopolitan Tel Aviv, Zaki wanted to get behind the politics of Israel’s controversial settlements in the occupied territories — so she moved there, temporarily, setting up an improvised cafe where she could chat with settlers from her own generation.

A road trip, over ten years, across the so-called Amexican border, a mythical boundary, both physical and cultural, that separates the United States of America from the United Mexican States; a journey in search of the multiple stories of those who inhabit it or are passing through: an audacious expedition that aims to paint a colorful fresco where politics, violence, visual poetry and frustrated ambitions cruelly coexist.

The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.

In the fall of 2002, it was announced that Benjamin Netanyahu would deliver a speech at Concordia University in Montreal, and reaction from the student body was swift and sudden.

An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.

The story of the Israeli military assault on Gaza. Seen through the eyes of children, journalists and doctors, Dispatches takes an unflinching look at the horrific challenges and heartbreaking loss. Made by 12 Palestinian film-makers who risked their lives to depict the ongoing assault, this documentary confronts us with the loss and suffering of people whose gaze we have met.

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

Prominent Columbia University English and Comparative Literature professor Edward Said was well known in the United States for his tireless efforts to convey the plight of the Palestinian people, and in this film shot less than a year before his death resulting from incurable leukemia, the author of such books as {-Orientalism}, {-Culture and Imperialism}, and {-Power, Politics, and Culture} discusses with filmmakers his illness, his life, his education, and the continuing turmoil in Palestine. Diagnosed with the disease in 1991, Said struggled with his leukemia throughout the 1990s before refraining from interviews due to his increasingly fragile physical state. This interview was the one sole exception to his staunch "no interview" policy, and provides fascinating insight into the mind of the man who became Western society's most prominent spokesman for the Palestinian cause.