Stray Cats: Rumble in Brixton

The story behind Elvis's first album features performances from 1955 and '56, interviews with the King and rare home movies of him at play and work.

When the Stray Cats rolled into Montreux in July of 1981 they were one of the hottest properties around. They had 3 hit singles and a UK top 10 album already under their belts along with a string of headlining concerts, all of which had come since their relocation from New York to London in 1980. The band's combination of original songs and rockabilly classics with a punk attitude and style had caught the moment to perfection. Added to this were their considerable musical accomplishments and knack for songwriting. All in all it was a heady concoction and the crowd in Montreux reacted with near hysterical excitement, something rarely seen in what is usually a polite and reserved audience. This is the Stray Cats at their peak.

Sure, Elvis was the King, but who was the Queen? The Women Of Rockabilly – Welcome To The Club is a documentary search for the "Female Elvis", as we meet the women of rockabilly music and explore the "what-if’s?" and "what-now’s" of their careers. Brenda Lee, Wanda Jackson, Janis Martin and a sassy cast of lesser but no less colorful pretenders to the throne describe their trailblazing days when they were the embodiment of exuberance, sexuality and defiance in a world that wasn’t quite ready for them. A rockin’ feature documentary by Beth Harrington.

Town Hall Party was California's largest country music barn dance, and it ran from early 1952 until early 1961. The show was broadcast every Saturday night from a theater made up to look like an old barn, in the Compton suburb of Los Angeles. The guest list was a "who's who" of country, rockabilly, and rock 'n roll. Here's incredibly rare footage of Eddie Cochran filmed Feb. 7th, 1959. This DVD includes a rare interview with Cochran, and he performs C'mon Everybody, Have I Told You Lately That I Love You, Don't Blame It on Me, Summertime Blues, School Days, Be Honest with Me, Money Honey and others.

This classic concert show featuring Carl Perkins, the godfather of rock 'n' roll, with a superstar cast recorded at London's Limehouse Studios in 1985. Guitar, vocals - Carl Perkins, Eric Clapton, George Harrison / Drums, vocals - Ringo Starr / Bass - Greg Perkins, John David / Double Bass - Lee Rocker / Drums - Dave Charles, Slim Jim Ghost / Guitar - Earl Slick, Mickey Gee / Guitar, Vocal, Producer [Music], Directed by - Dave Edmunds / Piano - Gearing Watkins / Singing - Rosanne Cash

The concert was recorded with a black-and-white video camera and a single microphone on June 13, 1978.

Among the first half-dozen debuts by rock ’n’ roll’s original founders, more significantly it was the first rock album credited to a band rather than a solo artist, as well as a landmark in the history of independent recording methods. Crowned by four of Holly and The Crickets’ best-loved and biggest-selling singles - That’ll Be the Day, Not Fade Away, Maybe Baby and Oh, Boy! - The Chirping Crickets was one of only two albums Buddy Holly recorded in his tragically brief career.

A "best of" compilation of live clips of various ASSJACK shows taped live at Alley Katz in Richmond, VA from 2003 - 2006 and clips of 1 show from May 2005 at Bluecats in Knoxville, TN. Special cameos by Dancing Outlaw Jesco White, Randy Blythe from Lamb of God and Chris Arp from Psyopus.

Short subject documentary by Julien Nitzberg about the legendary "psychobilly" musician and infamous wild man Hasil Adkins. Filming takes place in Adkins' own yard, his shack, and at various concerts. Adkins is notable for helping create an entirely new form of rock/rockabilly/country fusion, which he plays entirely by himself (with a guitar and drums simultaneously).

Rockpile plays for a Danish Television audience in 1979. Tracks: 1.DOWN,DOWN,DOWN 2.I KNEW THE BRIDE 3.DEBORAH 4.LET IT ROCK 5.HERE COMES THE WEEKEND 6.LOVE SO FINE 7.PROMISED LAND 8.THEY CALLED IT ROCK 9.JU JU MAN 10.HEART OF THE CITY

As Rudyard Kipling says, "He who rides the tiger finds it difficult to dismount," screams Jason Ringenberg as the band rips into "Self Sabotage," the first cut on a two-disc that captures this seminal band live in concert. Over the next 23 tracks, the Scorcher prove they're still on the beast's back, digging their spurs in its sides.