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It is interesting to watch this film now, in a week where a British MP has been brutally stabbed to death doing his job, and to maybe ask ourselves a question. What has the killing of a man ever actually achieved? It never makes anything any better. It serves to galvanise both sides and retrench enmities and bitterness that can take many years to wain. This film depicts one such story. That of a man who also passionately believed it was acceptable to take a life. His motives appear demonstrably justifiable as we watch this beautifully shot, frequently harrowing, depiction of the lead up to the atrocity of the Jallianwala Bagh massacre in 1919. It is told through the eyes of the assassin - Udham Singh (Vicky Kaushal) and over the course of the next two hours, we are exposed to the events that drove a decent man to commit the ultimate sin, and to pay the ultimate penalty. Whilst it does take a little while to get going, Shoojit Sircar develops a story replete with conflicting emotions, that offers a critique on the prevailing imperial attitudes and on the very value of life itself. It clearly, and succinctly, exemplifies the cruelty visited on people who just wanted to be left to govern themselves; and of the shockingly arrogant superiority complex of those who believed these people to be little more capable of such aspirations than pets, or sheep. The film looks stunning - the imagery of India from grand scale to violent aftermath; the settings in London - all add hugely to the gutsy integrity of this story. As with so much about the man himself, much is still be be made public about these events and about the true intent of the vice-regal, or British, governments in making an example of these unarmed protesters - but this surmising offers an entirely plausible assessment of man's inhumanity to man - and sadly, over 100 years on from this - we appear to have learned little about the merits of killing another human being - friend or foe.
It's quite the captivating story. Sadly, humanity seems to learn nothing from history, and so we are doomed to the fatal repetition of the past. This is one story that should have taught us a lesson, yet governments all over the world suppress and repress the truth. The non-linear film seems a little scattered in organization but picks up all the dangling pieces by the final reel.
A drama about a college girl who is violently assaulted by her lover. The young woman meets with a lot of resistance when she tries to sue her former friend.
Based on the real life story of a teenage girl named Ameena from old city Hyderabad, who was sold to an affluent Arab in Dubai by her parents.
Din Dayal Sharma works as a Head Clerk and lives with his wife, Godavari; 3 sons Vijay, his wife Uma; Shiva and Vidyasagar; and a daughter named Rajni. Their standard of living is middle-class and all three males contribute to this lifestyle with Vijay contributing the most as he is a Chartered Accountant. When the time comes for Rajni's marriage, she refuses to marry Jagmohan's son, and wants to marry a Christian by the name of Peter Fernandes. The marriage takes place, and she re-locates to the Fernandes' house.
Pooja lives with her doctor husband and a young son. Her son becomes seriously ill and does not respond to any medication, her husband wants him to be moved to a hospital for further .
A rich and wealthy couple, Shankarlal and Parvati are appalled at the problems of the world, especially in households, so they decide to try and make things right.
Barcelona, Spain, in the late sixties. Eugenio, a young jeweler who has fallen in love with Conchita, a singer, to the point of learning to play the guitar to accompany her in her performances, will first have to learn to overcome his stage fright.
Zooni Ali Beg is a blind Kashmiri girl who travels without her parents for the first time with a dance troupe to Delhi to perform in a ceremony for independence day. On her journey, she meets Rehan Khan, a casanova and tour guide who flirts with her. Although her friends warn Zooni about him, she cannot resist falling in love with him and he takes her on a private tour of New Delhi. But there is more to Rehan than meets the eye and Zooni will have to make a heartbreaking decision.
In 1964, a brash, new pro boxer, fresh from his Olympic gold medal victory, explodes onto the scene: Cassius Clay. Bold and outspoken, he cuts an entirely new image for African Americans in sport with his proud public self-confidence and his unapologetic belief that he is the greatest boxer of all time. Yet at the top of his game, both Ali's personal and professional lives face the ultimate test.
A single pregnant woman living without her husband or any man, alone, in a society of people where everyone questions her character and mysterious lifestyle. Reluctantly, Divyendu Sharma finds himself involved in her life. His aunt, played by Dolly Ahluwalia, is a woman who lives in Badnaam lane (name of the residential complex in Delhi) and keeps track of the society she lives in and keeps her nephew informed about the whereabouts of its residents, particularly the Bengali surrogate woman, Patralekhaa.
From the 1960s to the 1980s, evangelist Jim Baker and his ambitious wife, Tammy Faye, rose from humble beginnings to build an empire based on big-time evangelical Christianity-only for the couple to fall from grace because of some all-too-human sins.