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It’s raining Gollums! Attack the Block is written and directed by Joe Cornish. It stars Jodie Whittaker, John Boyega, Alex Esmail, Jumayn Hunter, Luke Treadaway and Nick Frost. Music is by Basement Jaxx and Steven Price and cinematography by Tom Townend. When a South London tower block comes under attack from aliens, a young gang of lads and the nurse they just mugged have to band together to fight back. In Britain we was wondering just when Joe Cornish was going to turn his hand to directing a feature film, here for his debut he tackled a sci-fiction action comedy with a wry bit of social commentary thrown in for good measure – it was worth the wait. With one Edgar Wright hovering about in the producers lounge and Nick Frost on hand as a reassuringly adult comedic presence, it could be argued that Attack the Block has joined the Wright/Pegg production line. Yet when you break it down this does in fact homage a myriad of siege invasion films, but still it becomes very much its own animal. Cornish dangerously structures his film by introducing us to a young gang of kids who think nothing of mugging a single defenceless woman – with a knife. With the group spouting their turf speak (some none British views may struggle initially with the dialogue), they are not a bunch of youngsters one can easily get on side with. In fact to dislike them in an instant is wholly justifiable and understandable, so much so that once the aliens arrive it’s a human reaction to root for them to rid us of these troublesome youths. So yes, dangerous by Cornish, yet astute as it happens. As the pic progresses and we spend time with the gang, we start to understand their way of life, their part in a tough society. It’s during this key phase that Cornish brings in another structure, that of the victim and the perpetrators having to band together to fight an enemy, surely he isn’t going to make heroes out of this gang of youthful miscreants? So once this scene is set, and the aliens start to unleash toothsome hell on this part of South London, it’s battle royale time. The blood and jokes seamlessly flow together, the score booms and other characters are introduced, some either for a lighter angle – others to annoy us and maybe be set up for alien gnasher fodder? The aliens themselves are a splendid creation, a new addition to an overstocked market. One of the youngsters calls them gorilla wolf things, that’s about right, they be jet black with spiky hair and bio luminescent jaws and claws, they move on all fours. And then it’s the last part of Cornish’s clever structure plan, for as we are given a reason why the aliens are after this particular group, so does characters transformations offer a prudent point. There is hope unbound, not just for people in movie, but for societies fractured by the way of the life afforded them. While the lesson here of people taking responsibility for their actions, to right their wrongs, is written loud and proud. Smart and fresh performances across the board, led by the wonderful Whittaker and a star making turn from Boyega, close out the deal. Attack the Block is a genre spilcer of a picture that brings something new to the table it sits at. Trust Bruv! 8/10
An alien invasion hits the "hood" in London reeking havoc with the local gangs. Excellent performances by all invoived including a breakout role for John Boyega (or Star Wars fame).
An alien invasion hits the "hood" in London reeking havoc with the local gangs. Excellent performances by all invoived including a breakout role for John Boyega (or Star Wars fame).
Usually, if it's got a Treadaway in it, it is going to be fun. This one is. It starts with poor nurse "Sam" (Jodie Whittaker) getting mugged by "Moses" (John Boyega) and his gang on a South London housing estate. It's Guy Fawkes night so with fireworks and racket everywhere, nobody notices her plight. Just as they are about to move on, some debris crashes into a nearby car and "Moses" goes to see what he can find. What he doesn't expect is that something is going to bite him - something he doesn't want to bite back! In a bit of a panic, he promptly kills it and he and his gang return home to see what it is they've got. That was their first mistake for shortly afterwards they are besieged by loads of pantomime gorillas who have seriously overdone it with the Colgate. Now this is where "Brewis" (Luke T) comes up with the theory that "Moses" - or his clothes - have been impregnated with a pheromone by a lady beastie and those chasing are, well, just all a bit horny after a very long space flight. With that eye-watering prospect facing "Moses" he must either get naked or try to find a way to lure the critters to their collective doom. His agent must have had a view on the former solution, so he opts for the latter... This has clearly been done on a bit of a shoestring, but the writing and characterisations are quite entertaining, Whittaker, Boyega and the gobby "Pest" (Alex Esmail) deliver some of the candidly pithy script quite amiably as their ridiculous scenario plays out, perilously, before them. Rarely can a recycling bin have featured quite so importantly in a movie. Treadaway has a daft double act going on with the geeky "Ron" (Nick Frost) and Jumayn Hunter also chips in well as the ostensibly menacing gang leader "Hi-Hatz" who keeps a marijuana plantation growing in a top floor flat that must have had one hell of an electricity bill. A first effort from director Joe Cornish, and it's basic on just about every level but it marries the principles of community spirit and brotherhood with a feature length episode of "Dr. Who" quite enjoyably.
Young teenager Sam Witwicky becomes involved in the ancient struggle between two extraterrestrial factions of transforming robots – the heroic Autobots and the evil Decepticons. Sam holds the clue to unimaginable power and the Decepticons will stop at nothing to retrieve it.
A very handsome man finds the love of his life, but he suffers an accident and needs to have his face rebuilt by surgery after it is severely disfigured.
Frustrated, because he is forced to produce bad TV-shows, a manager of a TV-station, enters the station and manipulates the ratings, to initiate a TV-revolution.
Young Shakespeare is forced to stage his latest comedy, "Romeo and Ethel, the Pirate's Daughter," before it's even written. When a lovely noblewoman auditions for a role, they fall into forbidden love - and his play finds a new life (and title). As their relationship progresses, Shakespeare's comedy soon transforms into tragedy.
King Kong, a clever thief who steals a cache of diamonds from some gangsters, frames another thief called White Glove for the crime. That's when the bald detective Albert Au, who has been chasing King Kong for quite some time, pairs with the volatile female Superintendent Ho to bring him to justice. King Kong ends up joining the good guys to defeat White Glove and another bad guy dubbed Mad Max, and recover the diamonds from the hiding place where they were left by King Kong's dead accomplice.
Baldy and King Kong shuttle between New Zealand and Hong Kong to recover a hi-tech prism that can impart superhuman powers.
A comedy that tells the story of a small New Jersey town on the night of Orson Welles' famed 1938 War of the Worlds radio broadcast, which led millions of listeners to believe the U.S. was being invaded by Martians.
In this musical comedy, Valerie is dealing with her philandering fiancé, Ted, when she finds that a trio of aliens have crashed their spaceship into her swimming pool. Once the furry beings are shaved at her girlfriend's salon, the women discover three handsome men underneath. After absorbing the native culture via television, the spacemen are ready to hit the dating scene in 1980s Los Angeles.
Hallam's talent for spying on people reveals his darkest fears-and his most peculiar desires. Driven to expose the true cause of his mother's death, he instead finds himself searching the rooftops of the city for love.
With their freedom on the line, the Looney Tunes seek the help of NBA superstar Michael Jordon to win a basketball game against a team of moronic aliens.
This story starts in 1980 in Paris as the memories of Andrei Borodin, a Soviet agent, take the action back to 1943 during the Teheran meetings of Stalin, Roosevelt and Churchill. A high-ranking Nazi officer developed a plan to assassinate the three world leaders in order to undermine the Allied forces. He commissioned the German agent Max Richard to carry out his plan, but it failed miserably due to the quick action and thinking of Andrei. While in Teheran, Andrei met a French woman, Marie Louni, living in the city and they had a brief but intense affair. Nearly four decades later, the Nazi officer has been captured - but not for long. Freed by terrorists, the officer is hunting down the German agent who failed to carry out the planned assassinations. Max lives at Françoise, a young French woman, who hides him.