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MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/other-films-watched-lff-2022 "Causeway possesses detailed, subtle performances by Jennifer Lawrence and Brian Tyree Henry - excellent chemistry - who truly carry the film on their shoulders. Lila Neugebauer doesn't bring anything new to the military subgenre of "veteran returns home", but she knows how to give the spotlight to the actors, making the best possible decisions for them to shine. Formulaic and predictable but interesting enough for fans of these types of stories." Rating: B-
"Lynsey" (Jennifer Lawrence) is on her way to a job when her truck breaks down. Seeking help from mechanic "James" (Brian Tyree Henry) she appears reluctant to give him her number. She claims she doesn't recall it... He is sceptical, but as the story now evolves we discover that this young woman is a veteran of the war in Afghanistan where she suffered an injury to her brain. With the help of him, and her physician "Dr. Lucas" (Stephen McKinley Henderson) she now tries to put some semblance of order - and fulfilment - back into her life. It is interesting, this film, insofar as it considers the perspective of a woman returning from conflict. Assumptions are made that would probably not be made about her male counterparts, and director Lila Neugebauer tries hard to ensure that how American society deals with these distinctions is writ large. Lawrence delivers quite well, she offers a nuanced effort that can be quite poignant at times, especially as we - and "James" get to know her character more, and as that character begins to emerge from her shell of shame, embarrassment and mistrust. It's not very well paced, though. Despite being only ninety minutes, I felt the points reiterated just once to often and the dialogue didn't really offer much succour to either the actors or the audience. We are left to assume too much; to project our own opinions and sympathies on her persona, and without ever possibly being able to empathise that left me feeling the drama was just a bit too sterile. As with many films depicting the struggle of returning soldiers to fit in and flourish at home, it has a profound message to send - but as a piece of cinema, there are too many lingering close ups, the score is really weak and unimaginative and it's nothing much to write home about.
**By: Louisa Moore / www.ScreenZealots.com** _This film was screened at the Toronto International Film Festival_ It’s tricky to tell a story about the impacts of trauma, and director Lila Neugebauer handles the subject with a sensitive, deft hand in her feature film debut “Causeway.” This intimate independent film is one with a narrative of pain, healing, and friendship, culminating in an extremely effective (and very human) drama. While in Afghanistan working for the Army Corps of Engineers, Lynsey (Jennifer Lawrence) was part of a convoy that was attacked and hit by an explosive device. She suffered significant injuries to her body and brain, and has spent months in a tough rehabilitation program. Now the woman is finally going back to her home in New Orleans, where she is having difficulties adjusting to her return to normal society. As is the case with many veterans, Lynsey wants to redeploy, but her doctor refuses to give her the recommendation she so desperately wants. To pass the time, she takes a job cleaning pools, and when her truck breaks down on the way to work, Lynsey meets a mechanic named James (Brian Tyree Henry). The two form a bond through their mutual traumatic pasts and wounds both psychological and physical, which turns their relationship into something more complex. The story is one of anguish, but also one of healing. You can feel the sense of inner turmoil and torment that weighs down on James and Lynsey, sinking their will to live. It’s a deeply intimate drama with a simple, strong story that makes a huge impact. Neugebauer’s film and storytelling are both beautifully crafted, further refined by the powerful, reserved performances from Lawrence and Henry (which are also among the two actors’ best work to date). Their chemistry is believable and their performances aren’t flashy, which makes for a powerful drama about broken people who need help and find it in each other. “Causeway” is painfully eloquent in a way that makes it so much more than just another trauma drama. It’s a somber look at the way humans must suffer in order to heal, and the film captures this sentiment and feeling in the most potent way.
Margit and her older sister Katla flee for safety after their mother is burned to death for witchcraft. Finding shelter with Johan and his resentful young son, Jonas, the sisters help form an impromptu family unit that’s soon strained by Katla’s burgeoning sorcery.
Ned Kendall is asked to return to the remote and isolated family home by his sister, to say goodbye to his father who is dying. Ned also brings his young aspiring actress fiancee who struggles with the isolation. When home he starts having memories of his childhood many involving his beautiful twin sister and his older brother. These memories awaken long-buried secrets from the family's past.
Two middle aged German brothers - one New Age and recently divorced, the other uptight and sceptical - travel to a Zen monastery in Japan in search of enlightenment, or perhaps just in search of themselves.
The 17-year-old Tom filled out a questionnaire for the Employment Agency at a vocational guidance office in his school. He falls in love with the trainee, which distributed the questionnaires. In the evaluation he gets out a job as an apprentice at a funeral home as a funeral professional.
When Sam, a woman mired in regret, goes to visit her aged parents, the disappearance of her mother's pet bird threatens to unravel her tenuous hold on life.
Antonin and Leonor are hunting larks. He is as submissive as his sister is voracious. One day, a dog attacks them.
Marcus Kendrick finds himself at a crossroads when presented with the opportunity of a lifetime. He approaches a studio that find his screenplay promising, giving his idea the chance to be developed at the potential cost of his creative integrity. His decision is the basis of his future career. Will he allow his dreams to be sold?
Eager to provide a better future for her son, Fadi, divorcée Muna Farah leaves her Palestinian homeland and takes up residence in rural Illinois - just in time to encounter the domestic repercussions of America's disastrous war in Iraq. Now, the duo must reinvent their lives with some help from Muna's sister, Raghda, and brother-in-law, Nabeel.
Gwen has just discovered, that she's the final member of the secret time-traveling Circle of Twelve. Now she has to juggle with constant trips to the past, her relationships with Gideon and figuring out dark secrets surrounding the Circle.
Agnes may not seem like someone with much to laugh about. For one thing, she has albinism - a lack of pigment in the skin, hair and eyes - and her appearance has provoked prejudice from family, friends and strangers since she was born. But despite all odds, Agnes refuses to lead a life of sorrow. This fascinating and inspiring documentary also shares the stories of seven other people's individual experiences of living their lives with albinism in Kenya, a predominantly black society. While each person's story is unique, they all have one thing in common: they know what it is like to stand out uncomfortably from the crowd.