Kaza kāpa debesīs

A retrospective on the great election battles of the past in the United States: the Kennedy-Nixon debate in 1960, the first ever to be televised; the Republican campaign of 1972, which proved to be the starting point for the Watergate scandal; and the electoral strategy of Barack Obama in 2008, the first election to fully exploit the potential of the Internet.

A true animated film about invented islands. About an imaginary, linguistic, political territory. About a real or dreamed country, or something in between. Archipelago is a film of drawings and speeches, that tells and dreams a place and its inhabitants, to tell and dream a little of our world and times.

This 135-minute documentary offers to reopen this magical parenthesis which has seen the birth of a whirlwind of artists with very different styles. From Chantal Goya to Annie Cordy, from Pierre Perret to Carlos. They knew how to bring each in their own way generations of children into their poetic universe.

Funk legend Sly Stone disappeared from the limelight for more than 20 years. Musicians and the media tried to find the recluse but failed. In 2005 Willem Alkema started searching for Sly. Sly didn't want to be found or filmed, but Willem didn't give up and finally followed Sly in his first steps on stage in decades.

Documentary of the Symposium on the Dialectics of Liberation and the Demystification of Violence, held in London, July 1967, organized by R.D.Laing, with Stokely Carmichael, Allen Ginsberg, Paul Goodman, Herbert Marcuse, John Gerassi, and many others. An important record of the spectrum of left-wing politics and personalities during the turbulent Sixties.

Three generations of Saudi women reflect on their lives through the decades of dramatic regional cultural, political and religious changes. Ajyal (Generations) begins when Saudi Arabia launched its first school for girls in 1960 and continues through the post-9/11 era.

The Japanese volleyball players called the “Oriental Witches” are now in their 70s. From the formation of the team at the factory until their victory at the Tokyo Olympics in 1964, memories and legends rise to the surface and blend inextricably.

"Race d’Ep!" (which literally translates to "Breed of Faggots") was made by the “father of queer theory,” Guy Hocquenghem, in collaboration with radical queer filmmaker and provocateur Lionel Soukaz. The film traces the history of modern homosexuality through the twentieth century, from early sexology and the nudes of Baron von Gloeden to gay liberation and cruising on the streets of Paris. Influenced by the groundbreaking work of Michel Foucault on the history of sexuality and reflecting the revolutionary queer activism of its day, "Race d’Ep!" is a shockingly frank, sex-filled experimental documentary about gay culture emerging from the shadows.

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

Red Terror documents the soviet occupation of Lithuania and the resistance movements that sprang up in opposition to the brutal tactics used by the communists from 1941 up to 1991. Stories of deportation, life in the Gulag, exile to Siberia, KGB prison torture, confiscation of land are told by living survivors. Resistance fighters and those who aided them also share their stories for the first time to an American audience. Rare historical photos and moving images are used to bring these stories to life.

In Bettina Büttner’s exquisitely lucid documentary Kinder (Kids), childhood dysfunction, loneliness, and pent-up emotion run wild at an all-boys group home in southern Germany. The children interned here include ten-year-olds Marvin and Tommy. Marvin, fiddling with a mini plastic Lego sword, explains matter-of-factly to the camera, “This is a knife. You use it to cut stomachs open.” Dennis, who is even younger, is seen in a hysteric fit, mimicking some pornographic scene. Boys will be boys, but innocence is disproportionately spare here. Choosing not to dwell on the harsh specifics, Büttner reveals the disconcerting manner in which traumatic episodes can manifest themselves in the mundane — a game of Lego, Hide and Seek, or Truth or Dare. Filmed in lapidary black-and-white, Büttner’s fascinating film sheds light on childhood from the boys’ characteristically disadvantaged perspective — one not yet fully cognizant — leaving much ethically to ponder over.