Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Arthur Lucan's disgustering "Mother Riley" is way behind on her rent, but when her Irish uncle dies she thinks things might be looking up. Some of his possessions are duly sent but they are misdirected to Bela Lugusi ("Prof. Von Housen") whilst she, in turn, received his life-size robot. He uses the remote control to summon his creature (and her), with it soon transpiring that he has very sinister motives that she must find some way to combat. Made in 1952, it has the production standards of something thirty years older. The editing and lighting are way more diabolical than the baddie could ever hope to be; Lucan's character delivers with relentless pace that is, on occasion quite amusing, but for the most part is just annoying and the infrequently seen Lugosi might have been better advised just never to have arisen from the coffin in which he sleeps. Much of the action (and the frenetically cobbled together score) is the stuff of a fairground, frequently bordering on "he's behind you" pantomime style. Dora Bryan and Geoffrey Keen must have fancied a chance to work with the legend, so appear as this increasingly slapstick thing heads towards it's suitably ridiculous denouement. Sad to think anyone was reduced to this, really - not just Lugosi.
Larry works the night shift at a convenience store. He can't get a girl, and he hates his life. But that's not his biggest problem: He's a vampire, and he has to learn how to become a vampire in order to become a man.
A man who serves in the war between the forces of Light and Dark comes into possession of a device that can restore life to Moscow, which was nearly destroyed by an apocalyptic event.
Matt and Sherman are sent out to find Pandora, a legendary supreme being which is capable of deciding the fate of the world.
Serbia, in the year 1910: Milena Strasek has lived with her 12-year-old son Stefan in a small village since the father abandoned the family shortly after Stefan was born. Many years of uncertainty concerning the man’s whereabouts have taken their toll: Milena Strasek falls seriously ill and dies, leaving her son alone in the empty house. The father appears the following night. He has come to take his son, but Stefan refuses to go with him. It is a fateful encounter, changing Stefan for the rest of his life.
A young woman suffering from mysterious physical ailments is horrified to discover that she is descended from generations of vampires. When she’s with her boyfriend, she struggles to control her peculiar appetite. But it’s in her blood . . .
Monsters living together under one roof with a documentary film crew, what could go wrong?
Strange disappearances have occurred somewhere in France and a bunch of paranormal fans decide to break into an old building to find out what has happened.
A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
Famed director Zhu Shilin tries his hand at a horror film! The beginning of The Living Corpse immediately sets the tone with a folk duet clearly inspired by the popular 1956 musical Songs of the Peach Blossom River. The duet, in addition to Zhu's frequent use of long, empty shots and crisp editing, gives this horror film a traditional poetic charm and a strong folk flavor. Mise-en-scene and sound effects create a terrifying atmosphere, and successfully communicate the ghostliness of a world without ghosts.
Deranged scientist, Gustav Niemann, escapes from prison and overtakes the director of a traveling chamber of horrors, soon reviving the infamous Count Dracula, the frozen Frankenstein Monster, and the Wolf Man.