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The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
Not just great, simply magnificent more like! "Wait a minute, you aren't seriously suggesting that if I get thru the wire and case everything out there, and don't get picked up, to turn myself in and get thrown in the cooler for a couple of months so you can get the information you need" Smart, witty and directed with adroit hands by John Sturges, The Great Escape is standing the test of time as a joyous multi cast family favourite. Based on the real accounts of allied soldiers escaping en mass from a German POW camp back in 1942, the film is involving from start to finish, due in the main to the wonderful array of characters on show. We follow them from the moment they arrive at the camp right through to the stunning climax, and it is with great joy I say that none of the cast lets the side down, they all do great work for the astute and undervalued Sturges. A number of great set pieces align with Elmer Bernstein's fabulous score to never let the blood settle, and in among the cheeky slices of humour is palpable tension to make this simply one of the best films of its type, in fact one of the best films ever. Sturges and his writers, James Clavell & W.R. Burnett, adapt from the book written by Paul Brickhill, someone who speaks from experience having been one of the prisoners of super POW camp Stalag Luft III, which of course is what The Great Escape is born from. Sturges was fascinated by the story and after trying without fail for over a decade to get it onto the screen, he finally succeeded. The success three years earlier of his star ensemble Western, The Magnificent Seven, enabled Sturges to realise his vision, the result of which is still enthralling new generations with each passing year. The cast is made up of notable thespians and iconic heroes. Steve McQueen (enticing the American audience in one feels), Richard Attenborough, Charles Bronson, James Donald, Donald Pleasance, James Coburn, James Garner, David McCallum, John Leyton and Gordon Jackson. Which of course is a pretty tidy roll call, but the input and impact of Hannes Messemer as the Camp Commandant, Colonel Von Luger should not be understated. His scenes have a real humanistic quality that shows a softer side of Germany to the one ruled by a certain despot (the finale here offering up the counter opposite of the war), the writers smartly, and rightly, not tarring a nation with the same old brush. A wonderful involving movie that puts characteristic heart in bed with the action and suspense laden plot. 10/10
I can't watch this any more. It's a fun movie, one that my dad made me watch as a kid. One that I loved... .... and then Eddie Izzard killed it for me. Now whenever I try to watch it all I do is think about his stand-up bit. I think it was from his "Dressed to Kill," maybe "Circle," but whichever it was, that is how you know you're hysterical, when you forever utterly ruin a classic movie because your routine surpasses the film you're making fun of. Anyway, Izzard had a point, so it's fair I can't not think of him whenever I watch it. He turned Steve McQueen's character into a joke and I love him for it. But, if you haven't seen the stand-up, it's a fun movie. It's not as good as Stalag 13, but it's more of an action film and one that, well, Izzard had a point but it's still a fun movie.
Got to be the definition of an all star (albeit all male) cast in this gripping demonstration of just how inventive and ingenious people can be when incarcerated and facing a bleak (if any) future. Each character in this WWII POW drama brings something different to this ensemble of style and imagination. Richard Attenborough stars as the proverbial pain in the ass to his Nazi guards having repeatedly escaped before, and he puts together his "X" organisation to work every scheme imaginable to get people out of this supposedly escape proof "Super-Stalag ". Steve McQueen forms an unlikely alliance with Angus "the Mole" Lennie; James "the scrounge" Garner with the expert, tea-drinking, forger Donald Pleasance whose eyesight is failing rapidly; Charles Bronson and James Coburn and a whole raft of seasoned British actors bring this whole enterprise to life in a gritty, sometimes amusing, but ultimately determined way. Hannes Messemer "The Kommandant" also deserves mention as he seems to still cling to some of the basic tenets of human decency as he tries to stop the Gestapo from implementing their more drastic solutions. Elmer Bernstein tops the whole thing off with a cracking score. It is long, certainly, but at least we can be certain we get out at the end...
In the year 2061, where only one utilitarian race - known as 'The Nation' - is recognized, a Native American man is imprisoned for speaking his ancient tribal language.
Yang Guo, orphaned and wandering since childhood, became a disciple of Guo Jing but faced bullying in the Quanzhen Sect due to his mysterious background. He eventually left to study martial arts under Xiao Longnv. Meanwhile, King Jinlun and rogue disciple Li Mochou sought to seize martial arts secrets and strategic maps. Caught in the conflicts of the martial world, Yang Guo and Xiao Longnv faced numerous challenges, and their bond deepened into a bittersweet love.
Emperor Francis Joseph I is about to arrive in Prague, and among those who came to Stromovka to welcome him is Veronika Pavlitová. She wants to submit a request for clemency for her imprisoned father to the emperor, because she is barely able to support herself and her siblings on the meager salary of a seamstress. By chance, the girl meets Božena Němcová, whom she admires immensely. She becomes her friend and confidant for a while. However, police director Paümann, who has been following Božena Němcová for a long time, takes advantage of the naivety of the young girl. Veronika, in her simple-mindedness, tells him many things. Only later will she understand how she was abused.
The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.
Explores a ticking-clock scenario about what would happen in the event of a nuclear war, based on dozens of exclusive new interviews with military and civilian experts who built the weapons and have been privy to the response plans and have been responsible for those decisions should they need to be made.
Island Amrum, early 1945: Hunting seals, fishing at night, nothing is too dangerous for 10-year old Nanning. He helps his mother to feed their family during the last days of war. After the war ends, new conflicts and challanges arise and Nanning has to find his own path in life.
Jelena and dr Mirkovic realize that their relationship is not just fulfilling the party's task of better maintenance of the illegal press. When Mirkovic joined partisans, one of the illegal fighters didn't endure interrogation of the police and reveals the pressroom's location. Jelena manages to save herself and the press continues its work.
Based on the true story of Joseph and Rebecca Bau whose wedding took place in the Plaszow concentration camp during WW2. Using his artistic skills in the camps, Joseph stays alive and helps hundreds to escape. Miraculously, he finds love in the midst of despair. Years later, when called to be a key witness in the trial of the brutal Nazi officer who tortured him and killed his father, Joseph is thrust back into vivid memories of the Holocaust. Now, he calls upon this love and resilience of spirit to face the ultimate demon of his past.