Sceneggiata Napoletana

They gave in. Or capitulated. They didn't want to have sex. They couldn't push back, to make them understand that no, they didn't want to. Some consider it part of the unpleasant yet inevitable experiences of youth. Others don't. For the first time, a film addresses this "gray" area of sexuality without consent.

England, 1645. The cruel civil war between Royalists and Parliamentarians that is ravaging the country causes an era of chaos and legal arbitrariness that allows unscrupulous men to profit by exploiting the absurd superstitions of the peasants; like Matthew Hopkins, a monster disguised as a man who wanders from town to town offering his services as a witch hunter.

A man in a gleaming white suit comes to a small Southern town on the eve of integration. He calls himself a social reformer. But what he does is stir up trouble-trouble he soon finds he can't control.

A sexually frustrated young woman is desperate to persuade her vagina to open up when she bumps into an ex-boyfriend.

Caroline Darian, Gisèle Pelicot's daughter, looks back on the tragedy that shook her family: for ten years, her father drugged her mother to subject her to rapes committed by strangers recruited on the Internet. This case exposes the scandal of chemical submission, a practice where attackers, generally close to the victims, use prescription or over-the-counter medications to commit their crimes. This phenomenon, far from being marginal, affects victims with varied profiles...

Yoshimi, who just came out of Okinawa, is deceived by a runaway tribe, sold to a gangster organization, and forced to perform a bestiality show in front of customers.

Being kidnapped shatters a brother and sister's harmony, forcing them to confront their desires.

The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.

Martine is a tough female cop trying to solve the kidnapping of young Caroline by a gang of pornographers. She already has an accomplice inside the gang feeding her information, but progress is hindered by her own police commissioner. In her private live, Martine likes to hang around with her male colleagues, swapping a younger cop for the more mature and experienced Jean.

A photojournalist turns her lens on the decades of sexual abuse her family and community experienced at the hands of her grandfather in this unflinching portrait of intergenerational trauma, family secrets, and redemption.