We Believe in Dinosaurs

When Logan Paul's fifth friend Mike Maljeek drops a bombshell about his Flat Earth beliefs, Logan and the team strap on their tin foil hats and embark on a journey to find the truth, follow along as they spiral down the two-dimensional rabbit hole, meeting colorful characters and confronting outrageous theories.

Andrew Thornton’s drug operation was one of the largest Kentucky and Tennessee had ever seen. Thornton would perish while attempting to parachute carrying African gold coins, weapons, thousands in cash and 75 pounds of cocaine. From the CIA to secret parties, Thornton is described as the James Bond of Kentucky by those who knew him. The documentary uncovers the true story behind the drug-sniffing bear and its rise to stardom. The film dissects the myths surrounding the ultimate party animal. Did Country Music legend Waylon Jennings buy the taxidermied bear? How much cocaine did it eat? And is the actual drug-eating bear now on display in a Kentucky store?

Regular opening times do not apply as we accompany Sir David Attenborough on an after-hours journey around London’s Natural History Museum, one of his favourite haunts. The museum's various exhibits come to life, including dinosaurs, reptiles and creatures from the ice age.

In this documentary, we go back to the beginning and tell the origin story of Scotty the T. Rex and how it was discovered on that fateful day in 1991. We also showcase the lasting impact the discovery had on the town of Eastend and the Paleo world in Canada. In 2019, Scotty was proclaimed the biggest in the world. Believed to be a female, she measured over 13 m or just over 42.6 feet long and weighed over 8.8 metric tons. Discovered in the dinosaur-rich Frenchman Formation, Scotty's bones have been carefully preserved and are stored at the T. Rex Discovery Centre in Eastend, Saskatchewan.

Paintings conservators at the Getty Center reveal details of their craft as they restore two large paintings by French master Jean-Baptiste Oudry.

What if there was a museum that contained every type of life form in the universe? This experience takes you on a tour through the possible forms alien life might take, from the eerily familiar to the utterly exotic, ranging from the inside of the Earth to the most hostile corners of the universe. New research is upending our idea of life and where it could be hiding: not just on Earth-like planets, where beings could mimic what our planet has produced, but in far flung places like the hearts of dead stars and the rings of gas giant planets. Nowhere in the universe is off limits. Only when we know what else is out there will we truly know ourselves. This thought experiment will give us a glimpse into what could be out there, how we might find it, and just how far nature’s imagination might stretch.

Millions of American Evangelicals are praying for the State of Israel. This film traces this unusual relationship, from rural Kentucky to the halls of government in Washington, through the moving of the American Embassy in Jerusalem and to the annexation plan of the West Bank.

Inaugurated in 1986 by François Mitterrand, a link between the Louvre and Pompidou, Orsay houses the largest collection of Impressionist art in the world. Project after project, the museum has been transformed to modernize and welcome more visitors, while preserving its historic character. Challenges taken up with each new project.

Examines the life and career of John Calipari, one of the most polarizing figures in modern college basketball, weaving his story around that of his 2015–16 Kentucky team.

Sámi artefacts from the Finnish National Museum are returning home to Sápmi, while the holy drums of the Sámi people are still imprisoned in the basements of museums across Europe. The returning objects symbolise the dignity, identity, history, connection to ancestors and a whole world view that was taken from the Sámi people. Director Suvi West takes the viewer behind the scenes of the museum world to reflect on the spirit of the objects, the inequality of cultures and the colonialist burden of museums.