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There was surprise when France chose to submit 'Les Misérables' as their entry for Best International Film at the upcoming Academy Awards rather than Céline Sciamma's beloved 'Portrait of a Lady on Fire', but the decision makes a certain degree of sense. Where 'Portrait' is a timeless instant classic that speaks to the ongoing human condition, Ladj Jay's debut film is so immediate and vital for where France, and indeed Europe, find themselves now. Just as in Victor Hugo's novel, they are on the brink of a massive cultural and political collapse, a crisis that will define their future as a multicultural and economic society. Its mostly conventional structure and approach make it far more accessible than you expect, but this is never at the expense of its intelligence or intention. 'Les Misérables' is a remarkable, electrifying and ultimately shattering film, a stellar debut for Ladj Jay, and most importantly, a work that feels necessary - not just for France, but for those that created it and those who see it. It's a thrilling act of cinematic protest. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-les-miserables-a-remarkably-thrilling-act-of-cinematic-protest
Just as Victor Hugo's novel is considered one of the most important books of all time, this movie may be one of the most important films of the of the 21st century. If you're expecting the musical - forget it - it's not. It's dirty and gritty and honest. There is no satisfying ending to the movie. The outcome of a single, individual story is not important. Published in 1862, Victor Hugo wrote in his preface: "So long as there shall exist, by reason of law and custom, a social condemnation, which, in the face of civilization, artificially creates hells on earth ... so long as ignorance and misery remain on earth, books like this cannot be useless." It's 2023. Nothing has really changed in 200 years. The story here is great, and relevant. The film is fabulously well-made.
In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.
Sergeant Tong is wracked with guilt after he unwittingly kills a young girl whilst capuring a criminal named Cheung. When the girl's sister is later kidnapped in a ploy to get Cheung released, Sergeant Tong vows to find and rescue her before she comes to harm.
A young boy trying to deal with his mother's heroin addiction befriends a waitress who helps him cope with the tough situation.
Two con artists try to swindle a stamp collector by selling him a sheet of counterfeit rare stamps (the "nine queens").
Despondent at losing his lover, a man wanders the streets of Paris and has an affair with her kinky friend.
After the elevators at a New York City skyscraper begin inexplicably malfunctioning, putting its passengers at risk, mechanic Mark Newman and reporter Jennifer Evans begin separate investigations. Newman gets resistance from superiors at his company, which manufactured the elevator, while additional elevator incidents cause several gruesome deaths. The police get involved and suspect that terrorists are responsible, but a far stranger explanation looms.
Mexican footballer Santiago Muñez, along with his best friends and England national team players Charlie Braithwaite and Liam Adams, are selected for their respective national teams at the 2006 FIFA World Cup Finals in Germany.
With his mother dead and his father busy at work, Howie feels adrift in his New York suburb. He and his friend Gary spend their time burglarizing their neighbors' homes — until they make the mistake of robbing the house of Big John, a macho former Marine who is also an unrepentant pedophile. He propositions Howie, who declines, but the two eventually develop an unlikely and dangerous friendship.
After learning that her sister, Faith, has committed suicide in Portugal, Phoebe, an 18-year-old hippie, decides to uproot from her San Francisco home to travel to Europe. Phoebe hopes to discover and experience the life that led to her sister's death by retracing her footsteps, which eventually leads to Wolf - Faith's boyfriend. However, as Phoebe's journey continues, a series of visions of Faith pushes her mind to the brink.
After committing a crime, four fugitives intend to cross the border just to find the roads are blocked.
Two unlikely companions must smuggle four suitcases filled with contraband pork across Nazi-occupied Paris.