Kaksi ruumista rannalla

Yuk Yin's father dies and her mother remarries to settle the debts. Yuk Yin lives with Auntie Wong. From then on, Chi Hung, Auntie Wong's son and Yuk Yin live and play together. But the Wongs move away. Yuk Yin stays with her mother. Her stepfather is mercenary. When Yuk Yin grows up, he pushes her to get married to get money. Considering her daughter's future, Yuk Yin's mother sends her away. Yuk Yin works in a restaurant. When she learns that her mother is ill, she marries a dying rich young man to get money for her mother's treatment. After her mother's death, Yuk Yin gets married immediately, but her husband dies on the wedding night. Her mother-in-law sees this as unauspicious and expels Yuk Yin. Later, Yuk Yin chances upon Chi Hung. They are still in love. They married and have a son Kwok Wah. But Chi Hung dies. Yuk Yin works as a dance girl to support their living. Kwok Wah grows up and cannot accept his mother's job. But soon he understands that she is respectable.

Alma is a young film lover who dreams of one day making a living creating stories. Determined, she decides to go to the city to study film, but finding herself alone and without the care of her mother, she collides with the dangers of the big city, which makes her question whether she is following a good path or has just let herself be carried away by the illusion of a dream.

Elli works as a techno DJ and loves electronic music. She has a daughter named Toni, who mostly grows up with her father. The 9-year-old girl is only with her on weekends. They have planned a mother-daughter weekend, but suddenly Elli is offered an important gig at an electronic music festival. Finally playing in front of a big audience again, feeling the ecstasy and intoxication of the night. Through the music she escapes the stagnation, the desolation, the role model of the conventional mother and the narrowness of the provincial town. Torn between maternal missing her and asserting herself in her life, Elli tries to be there for Toni and at the same time to live her dreams without restrictions.

After the tragic and sudden death of her father, Isabel, a 17-year-old girl, is forced to move to a neighborhood on the outskirts of Valencia and start from scratch in a high school where she is bullied. There she meets Lola, a troubled teenager who her family forces to sell drugs and commit crimes. Isabel and Lola will have to team up to get ahead. Together they will forge a great friendship and end up discovering love.

In a world ravaged by the plague, women hunted as witches and burned alive. Three women stand against this tyranny as one is accused of witchcraft. Keeping their own secrets and demons from each other they try to survive the dangerous journey.

A young transgender woman's pursuit of self-acceptance in the face of societal barriers unfolds in the transformative backdrop of 1990s New York City.

What do fictional characters do with the rest of their lives, once their stories have been told? This charmingly offbeat, deadpan fantasy attempts to answer that question.

Black drops fall from the water faucets, peek through the drains, and flood the city. Sisters Paula and Teresa, cornered in their apartment, can do nothing but observe as that strange substance takes hold of their lives. Hypnotized, with nowhere to go, they come into contact with the liquid. Gradually, reality begins to distort and they get lost in it.

The Goddess (1934) is remade once again. In this version, Zhu Shilin tackles the anxiety concerning the clash of 20th century Chinese traditions and modern Western culture. Despite her father’s strict discipline, Fun still manages to have a boyfriend secretly and give birth to twins. After leaving her son to her father, she takes off with her daughter. Twenty years later, Fun has become a streetwalker. The three generations finally come face-to-face at the police station. Her father laments that his generation should be ousted while Fun’s generation has been sacrificed, leaving the future for the next generation to establish. Zhu carefully depicts the shame of selling one’s body without passing judgment while he finds balance and reflects on the pain in the age of progress. Even though the production was far from lavish, Zhu’s astute handling of the narrative and mise-en-scène makes this a vivid and exciting film to watch.

During the last moments of a romantic involvement with an older man, Martina finds herself deeply overwhelmed by disappointment and confusion, left alone to question who she really is.

On the night of their mother’s wake, three estranged sisters divide their childhood home over a pot of magic mushroom tea while a family secret boils to the surface. A story about the tenuousness of memory, buried trauma, food... and psychedelics.