Die Engel von St. Pauli

An aging gangster, Fernand Naudin is hoping for a quiet retirement when he suddenly inherits a fortune from an old friend, a former gangster supremo known as the Mexican. If he is ambivalent about his new found wealth, Fernand is positively nonplussed to discover that he has also inherited his benefactor’s daughter, Patricia. Unfortunately, not only does Fernand have to put up with the thoroughly modern Patricia and her nauseating boyfriend, but he also had to contend with the Mexican’s trigger-happy former employees, who are determined to make a claim.

Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.

Detectives Marcus Burnett and Mike Lowrey of the Miami Narcotics Task Force are tasked with stopping the flow of the drug Ecstasy into Miami. They track the drugs to the whacked-out Cuban drug lord Johnny Tapia, who is also involved in a bloody war with Russian and Haitian mobsters. If that isn't bad enough, there's tension between the two detectives when Marcus discovers that playboy Mike is secretly romancing Marcus’ sister, Syd.

The story revolves around the revenge that three girls, raped when they were younger, pretend to perform with all the men who cross their path.

Gene works for the local underworld syndicate but always treats his abductees with kindness. He begins a dangerous affair with ex-bar girl Dolor, who's routinely beaten by her rich husband. When the cops move in on Gene's gang and Dolor's husband winds up dead, the couple flees with the law and their enemies in hot pursuit.

In the 26th century the inhabitants of Utopia have so lost their individuality, which varies in number. They live in glass houses (this was written before the invention of television), which allows the political police, called “Keepers” can easily supervise them. They all wear the same uniform and usually turn to each other or as a ”cipher-so” or "UNIFEM" (uniform). They feed on artificial food and rest hour marching in fours in a row the anthem of the One State, pouring out of the loudspeakers. As they are allowed to put a break on the hour (known as the ”sexy time“), draw the curtains of their glass houses. At the head of the One State is one called The Benefactor, which are replaced every year the whole population, usually unanimously. The guiding principle of the State is that happiness and freedom are incompatible.

When local soccer team The Eagles fall prey to a series of onslaughts from a mysterious gangster only a week before the championship final, the team turns to the one man that can help save their chances at victory – Joe Bullet (Ken Gampu). Joe will have to battle against villainous henchmen, escape booby-trap bombs and bring his martial arts expertise to the fore in order to survive an attack from a deadly assassin. In the end he will have to infiltrate the mysterious gangster’s hide-out in a dangerous cat-and-mouse rescue mission to save not only The Eagles’ two kidnapped star players, but that of his beautiful love interest, Beauty (Abigail Kubeka). The odds will be stacked against him, but he’s the man that fights crime, the man that no one can tie down! Joe Bullet!

After the death of her husband, Sarah gets caught up in the wheels of the "most sinful mile in the world," Hamburg's Kiez. In this ruthless machinery that produces nothing but violence, money and lust, the sensitive Sarah tries to adapt emotionlessly. It is a long and hard process of acclimation, but eventually the business of love becomes a profession for Sarah. The power of money holds her captive. And the more she succeeds in increasing her value in the milieu, the more she distances herself from her past bourgeois world - along with her concepts of love, decency and morality. An affair almost becomes her undoing. Sarah flees deeper into the labyrinth - onto the path of venal masochism. She becomes a whip-wielding dominatrix in the notorious Herbertstraße. Now the others are the victims, but Sarah almost loses her mind...

On a Tuesday night, five couples have separate sexual adventures. Matt and Kris, friends for years, want to have an only-once, no-strings good time. Abby and Andrew, married, celebrate his birthday, but it's marred by angst and miscommunication. Mia and Eric are exes, making sure they are over each other. Jaime and Ken work together and this is a first date. Inez and Gord invite his roommate, Dave, to join them. By the time each couple has gone through a prelude, foreplay, sex, an interlude, orgasm, and afterglow, they've answered basic questions: can sex be anonymous, are we bored, is our marriage really finished, does anyone tell the truth, and how do we make someone happy?

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.