Свобода или смърт

This is an epic screen presentation showing the creation, the consolidation and the power of First Bulgarian Kingdom and the first Bulgarian ruler Khan Asparuh. The second part of the great historical epic - "The Migration" - tells about the long journey to the land of the Bulgarians of today's Bulgaria. Here the young Khan Asparukh laid the foundations of the new state. The authors adhere to the established historical versions for this event. The film builds on the impressive mass scenes and the convincing served psychological characteristics of the main characters. The image of Asparoukh is a natural center of the story, in which many minor persons recreate the environment of the Khan. Romantic exalted, Asparukh is shown as capable leader of the people, consistently implement his own ideas.

The last part of the epic "Khan Asparukh" - "Land Forever" is an impressive finish to scale narrative, created for the nationwide celebration of 13 century anniversary of the Bulgarian state. The authors collected in final chord all storylines, culminating in the political strengthening of the young Bulgarian state. In the center of the film epic again is the image of Khan Asparukh - a lofty romantic hero who embodies the virtues and energy of his people.

The great Bulgarian football player Georgi Asparuhov and his greatest love - his wife Lita go through a number of trials of life, football and the political system.

At the end of the 18th century in Bulgaria under Ottoman slavery, a young woman leaves home and family to become leader of a guerrilla gang.

In September 1923, during the so-called 'anti-fascist' uprising, police chief's daughter Kita falls for a student with communist beliefs. Although loyal to the monarch, her father's paternal instinct force him to compromise but his retaliation against the rebels takes a devastating turn.

A new teacher - Marina - arrives in a small Pomak village in the late 1960s. She is a woman trying to live and think independently. Marina finds herself in a world unknown to her, at once pure and immaculate, but with the signs of the deformation of natural life that is typical of the whole country. After meeting the Doctor, Bai Mnogoznai, Mariana, the mayor, the internationalist Yosko, she discovers that each resists authority in their own way. And when the government starts changing the non-Bulgarian names of the Pomak villagers, the heroine realizes she is in a prison - with high mountains, forests, rivers - a prison of tragic beauty.

Djamila, a young Algerian woman living with her brother Hadi and her uncle Mustafa in the Casbah district of Algiers under the French occupation of Algeria, sees the full extent of injustice, tyranny and cruelty on his compatriots by French soldiers. Jamila's nationalist spirit will be strengthened when French forces invade her university to arrest her classmate Amina who commits suicide by ingesting poison. Shortly after the prominent Algerian guerrilla leader Youssef takes refuge with her, she realizes that her uncle Mustafa is part of this network of anti-colonial rebel fighters. Her uncle linked her to the National Liberation Front (FLN). A series of events illustrate Jamila's participation in resistance operations against the occupier before she was finally captured and tortured. Finally, despite the efforts of her French lawyer, Jamila is sentenced to death...

Domingos is a member of an African liberation movement, arrested by the Portuguese secret police, after bloody events in Angola. His wife goes from a prison station to another, trying in vain to find out where he is.

A meticulous chronicle of the evolution of the Algerian national movement from 1939 until the outbreak of the revolution on November 1, 1954, the film unequivocally demonstrates that the "Algerian War" is not an accident of history, but a slow process of suffering and warlike revolts, uninterrupted, from the start of colonization in 1830, until this "Red All Saints' Day" of November 1, 1954. At its center, Ahmed gradually awakens to political awareness against colonization, under the gaze of his son, a symbol of the new Algeria, and that of Miloud, half-mad haranguer, half-prophet, incarnation of Popular memory of the revolt, the liberation of Algeria and its people.

In 1950, in Algeria, in a village in Kabylia, Algerian resistance fighters resisted the French occupation army. Bachir returns to the village to escape the clashes ravaging Algiers. In Thala, he has two brothers, Ali and Belaïd. The first is engaged with the ALN (The National Liberation Army) and fights against the colonizer. His second brother, Belaïd, the eldest, is convinced of a French Algeria. His family torn apart, Bachir decides to join the war and takes sides against the repression of the French army. The French army is trying in vain to turn the population against the insurgents by using disinformation. The more time passes, the more the inhabitants of the village and surrounding areas, oppressed, rally to the cause of the FLN, their houses and their fields will be burned... Adaptation to the cinema of the eponymous novel Opium and the Stick, published in 1965, by Mouloud Mammeri, the film was dubbed into Tamazight (Berber), a first for Algerian cinema.

The feature film “The seven ramparts of the citadel”, a fiction recounting the conflict between an Algerian family expropriated from its land and a bloodthirsty settler; by director Ahmed Rachedi. Adapted from the eponymous novel by Mohamed Maarafia, the film, whose plot begins in 1954, tells the story of two characters, Thebti and Lucien, “the fellaga and the colonist”, a story of crossed destinies. “After having engaged in a fight to the death, after having both traveled a long path of embers, (they) finally find themselves face to face and above all each face to themselves”.