Tecnoismo

A Los Angeles detective discovers the unbelievable while searching for a missing child and in the aftermath his life begins to unravel.

In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the arrival of an entity of unknown materiality. With a mysterious presence and exotic allegories, it starts to enchant the residents, awakening their most insane senses.

BARE BONES is an experimental short film written, directed and scored by DEBBY FRIDAY. Conceived during the Covid-19 lockdown and shot in Vancouver, BC on 16mm, the film tells the story of a young woman who swallows a bee and begins to undergo a hallucinatory and transformative experience. Abstract visual sequences depict time and space fracturing around her as she succumbs to wave after wave of pure feeling.

A visually experimental adaptation of the classic Frank Stockton short story.

A fiction science monologue about artificial fertilization and its consequences, delivered by four characters interacting with the text.

Avant garde/experimental film. A mesmerizing trip through the psychedelic vastness of space.

The silent film is about a depressive lady of the last century who travels through time to a beach of current times, but ends up coming across a completely polluted environment.

Mona relates her dream. Crawling through an apparently endless wooden crate, she encounters diverse characters while the crate itself is moving towards a fiery destruction.

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

Through a very surreal chase of spying and surveillance, Catafuse, a dubiously dressed "creature", hunts down specific human targets with the help of Molosstrap. But in a world completely run by the shadowy hands of the pharmaceutical industry, the lines of reality become so blurry and complex, that the mastering of insanity might just be the only way out...

A young Black game designer comes face to face with covert racism after he’s transformed to look like a white man.